Abstract
Falk Richter is one of the central figures in the German theatre business. In the interview, Kristina Kocyba, a close connoisseur of his work, talks to him about the consequences of the interruption during the pandemic. In doing so, they consider the general German context as well as Richter's political approach to theatre. But it is also about the interruption as a characteristic of post-dramatic theatre and what a post-pandemic theatre could look like.
Notes
1 nachtkritik.de is an independent, national theatre feuilleton on the internet.