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Perspectives
Studies in Translation Theory and Practice
Volume 31, 2023 - Issue 4
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Articles

Enough is enough: how much intonation is needed in the vocal delivery of audio description?

ORCID Icon, ORCID Icon, ORCID Icon & ORCID Icon
Pages 705-723 | Received 10 May 2020, Accepted 02 Jan 2022, Published online: 08 Mar 2022

Figures & data

Table 1. The description of the clips used in the experiment, as provided in Schaefer et al. (Citation2010).

Figure 1. Tactile Self-Assessment Manikin (Iturregui-Gallardo & Méndez-Ulrich, Citation2020).

Figure 1. Tactile Self-Assessment Manikin (Iturregui-Gallardo & Méndez-Ulrich, Citation2020).

Figure 2. Interaction of intonation type with valence. Bars represent standard error.

Figure 2. Interaction of intonation type with valence. Bars represent standard error.

Figure 3. Relation between presence scale and audio ratings predicted by the model plotted separately for every condition with overlaid linear regression (solid lines) and 95% CIs (dashed lines).

Figure 3. Relation between presence scale and audio ratings predicted by the model plotted separately for every condition with overlaid linear regression (solid lines) and 95% CIs (dashed lines).

Figure 4. Relation between heart rate variability (SDNN measure) and audio ratings predicted by the model plotted separately for every condition with overlaid linear regression (solid lines) and 95% CIs (dashed lines).

Figure 4. Relation between heart rate variability (SDNN measure) and audio ratings predicted by the model plotted separately for every condition with overlaid linear regression (solid lines) and 95% CIs (dashed lines).