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Pages 223-237 | Received 23 Jan 2022, Accepted 28 Apr 2022, Published online: 24 Jun 2022

Figures & data

Figure 1. The left half of Exhibition One curated by Beatriz for Asami.

Figure 1. The left half of Exhibition One curated by Beatriz for Asami.

Figure 2. The right half of Exhibition One curated by Beatriz for Asami.

Figure 2. The right half of Exhibition One curated by Beatriz for Asami.

Figure 3. The left half of Exhibition Two curated by Beatriz for Asami.

This photograph is a close-up image of rocks that were a part of Exhibition Two curated by Beatriz for Asami. The brown, grey, and white rocks rest on a black bookshelf in front of a black wall, with the corner of a taped white sheet of paper at the upper right-hand corner.
Figure 3. The left half of Exhibition Two curated by Beatriz for Asami.

Figure 4. The right half of Exhibition Two curated by Beatriz for Asami.

This photograph is a birds-eye view of items that were a part of the second miniature exhibition curated by Beatriz for Asami. In the upper left corner, there is a small broken branch with two dried brown leaves. At the bottom left corner, there are four brown pericarps (the bottom half of an acorn). To the right of the acorns is a small broken twig. Above the twig are three silver pebbles.
Figure 4. The right half of Exhibition Two curated by Beatriz for Asami.

Figure 5. A scanned image of Asami’s reflection in response to the mapping prompt in Exhibition Two.

Asami’s reflection is written in black ink in a miniature journal. Her reflection says: “Living with Exhibition Two was very different from Exhibition One. I didn’t physically interact very much with the exhibition because the collection consisted of objects found in nature and are common. While this exhibition was in my room, I was experiencing multiple flares and diverticulitis. Due to that, I was heavily medicated and wasn’t going outside very much. In a way, it was nice to have a form of nature in my room, even if it wasn’t full of life.
Figure 5. A scanned image of Asami’s reflection in response to the mapping prompt in Exhibition Two.

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