Eleanor Bowen Where is the Space of Choreography?

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Notes

¹Described as a Jesuit polymath, Kircher published the Ars Magna Lucis et Umbrae (Amsterdam 1669) which shows the earliest known illustration of sun printing as a conjectural possibility. See Frizot M.(ed.) (1998) A New History of Photography Konemann p. 2

²Cited in Oxford Latin Dictionary, 1850

³Fox Talbot Museum Text of Exhibition & Contents of Showcases , The National Trust, p. 2

⁴Susan Sontag cited in Barthes R. (1982), Camera Lucida , Vintage pp. 80–1.

⁵‘The temporality of archaeology is not primarily linear, from past to present, but turbulent’. Pearson M. & Shanks M. (2001) Theatre/Archaeology London: Routledge, p. 10

⁶Cixous, H. (1998) ‘Without End, no, State of drawingness, no, rather: The Executioner's taking off trans. C.A.F. MacGillivray in Stigmata, Escaping Texts London: Routledge, pp. 25–6

⁷‘Aphotograph's punctum is that accident which pricks me (but also bruises me, is poignant to me)’. Barthes R. (1982) Camera Lucida Vintage, p. 27.

⁸Ross M. with Wegener J. (2000) ‘Still’ in Images of Thought [Vol. 2] ed. Yve Lomax Salvo RCA

⁹Phelan P. (1997) Mourning Sex :Performing Public Memories […]

¹⁰Samuel Morse cited in Frizot M., [ed.]A New History of Photography Konemann 1998 [28].

¹¹Hollander A. (1991) Moving Pictures Harvard University Press p. 446

¹²op. cit., p. 447

¹³John Stezaker's Third Person Archive is a collection of background figures found and cut out by himself from nineteenth-century photographic travelogues and postcards. The notion of a third person refers primarily to the camera itself, mediating unseen between viewer and viewed. See Stezaker J. (2000) ‘Redemption & the Irredeemable’ in Images of Thought ed. Lomax Y., Vol. 2 [ed.], Salvo, RCA , p. 49

¹⁴ ecceity [Lat. here is ] posited by Duns Scotus as not ‘a thing’ but a spatio-temporal relationship, a determination, a predisposition of one towards another. Laura Mulvey suggests that the tense of a photograph might be thought of as the this is that has been . Mulvey L. (2000)'The Index and the Uncanny’ in Gill C.B. [ed.] Time and the Image Manchester University Press.