Choreographic Resources Agents, Archives, Scores and Installations

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Notes

¹For example: Choreography and Cognition (2002–2004) was organized in connection to the making of AtaXia and Of the Heart (2004–2005) in conjunction with the creation of Amu. Documentation websites http://www.choreocog.net and http://www.oftheheart.org/

²To followproject developments and access more detailed information about collaborators visit <http://www.randomdance.org>.

³For more information, see ‘Digital Archive’ on <http://www.siobhandavies.com>.

⁴For a detailed report of the research and developments to date, see Whatley et al. (2007).

⁵Additionally, there is an interdisciplinary research application pending that aims to develop new models for archiving dance materials based on a convergence of different types of movement analysis (from the choreological to the biomechanical).

⁶To follow project developments, visit <http://www.siobhandavies.com/>.

⁷The video was shot in April 2006 in Frankfurt-am-Main, Germany, expressly for the score-development project.

⁸Watch for updates on the following sites: The Forsythe Company <http://www.theforsythecompany.de/>, The Ohio State University's Advanced Computing Center for the Arts and Design <http://accad.osu.edu/> and the Department of Dance <http://www.dance.osu.edu/>.

⁹Copies of (Capturing Intention) can be obtained from various international bookstores or from <http://www.emiogrecopc.nl>.

¹⁰Details can be found on <http://www.emiogrecopc.nl>.