Debunking anti-Chinese stereotypes in Italy: intersectional perspectives and intermedial aesthetics in Sergio Basso’s Giallo a Milano (2009)¹

Figures & data

Figures 1–4. Screenshots from the animated sequences.

Figures 5-6. Screenshots of the mise-en-abyme procedure in the animated sequences.

Figures 7-8. Screenshots of Shi Yang and his mother doing the “umbrella gesture”.

Figures 9-12. Screenshots from the Besana Cloister.

Figures 13–14. Screenshots of Shi Yang and his parents discussing his homosexuality.

Figures 15-18. Screenshots of Shi Yang recalling his story on the theatre stage.

Figures 19-20. Screenshots of the painter Ho Kan recalling his migration to Italy.