Debunking anti-Chinese stereotypes in Italy: intersectional perspectives and intermedial aesthetics in Sergio Basso’s Giallo a Milano (2009)¹

References

• Amori elementari [Elementary Loves]. 2014. Directed by Sergio Basso. Italy/Russia: CSC Production/Sharoncinema Production.
   Google Scholar
• Barthes, R. 1970. S/Z. Paris: Seuil.
   Google Scholar
• Bertozzi, M. 2012. Di alcune tendenze del documentario italiano nel terzo millennio. In Il reale allo specchio. Il documentario italiano contemporaneo, ed. G. Spagnoletti, 17–32. Venezia: Marsilio.
   Google Scholar
• Bertozzi, M. 2013. Cinema, memoria e pratiche dell’archivio. In Per un cinema del reale. Forme e pratiche del documentario italiano contemporaneo, ed. D. Dottorini, 117–23. Udine: Forum.
   Google Scholar
• Bonsaver, G. 2011. The aesthetics of documentary filmmaking and Giallo a Milano: An interview with film director Sergio Basso and sociologist Daniele Cologna. The Italianist 31, no. 2: 304–18. doi:10.1179/026143411X13051090964974.
   Google Scholar
• Bruzzi, S. 2000. New documentary: A critical edition. London: Routledge.
   Google Scholar
• Butler, J. 1990. Gender trouble: Feminism and the subversion of identity. New York: Routledge.
   Google Scholar
• Chung, H., and B. Luciano 2015. Autonomous navigation? Multiplicity and Self-reflexive Aesthetics in Sergio Basso’s Documentary Film Giallo a Milano and Web Documentary Made in Chinatown. In Post-1990 documentary: Reconfiguring indipendence, ed. C. Deprez and J. Pernin. Edinburgh: Edinburgh University Press. 203–16.
   Google Scholar
• Dimmi chi sono [Sarita]. 2019. Directed by Sergio Basso. Italy/Germany: La Sarraz Pictures/National Media Production.
   Google Scholar
• Dottorini, D. 2013. Per un cinema del reale. Forme e pratiche del documentario italiano contemporaneo. Udine: Forum.
   Google Scholar
• Dottorini, D. 2020. Il mondo (ri)animato. https://www.fatamorganaweb.it/speciale-animazione/.
   Google Scholar
• Formenti, C. 2016. Il documentario animato: storia, teoria ed estetica di una forma audiovisiva PhD Thesis, University of Milan.
   Google Scholar
• Fusillo, M., and R. Terrosi 2015. “Intermedialità”. In Enciclopedia Treccani online. https://www.treccani.it/enciclopedia/intermedialita_%28Enciclopedia-Italiana%29/.
   Google Scholar
• Giallo a Milano [Made in Chinatown]. 2009. Directed by Sergio Basso. Italy: La Sarraz Pictures/CSC Production.
   Google Scholar
• Gli anni [The Years]. 2018. Directed by Sara Fgaier. Italy/France: Grand Huit/Dugong Films.
   Google Scholar
• Gomorra [Gomorrah]. 2008. Directed by Matteo Garrone. Italy: Fandango/Rai Cinema.
   Google Scholar
• Gorbaciof. 2010. Directed by Stefano Incerti, Italy: Devon Cinematografica/Surf Film/The Bottom Line/Immagine e Cinema/Teatri Uniti.
   Google Scholar
• La strada dei Samouni [Samouni Road]. 2018. Directed by Stefano Savona. Italy/France: Dugong Production/Picofilms/Alter Ego Production/Rai Cinema/Arte France Cinéma.
   Google Scholar
• Made in Chinatown. 2010. Directed by Sergio Basso. Italy: La Sarraz Pictures/RCS Quotidiani. https://www.corriere.it/spettacoli/speciali/2010/giallo-a-milano/.
   Google Scholar
• Mileto, A. 2020. Il monologo animato. https://www.fatamorganaweb.it/speciale-animazione-documentario-contemporaneo/.
   Google Scholar
• Mulvey, L. 1975. Visual pleasure and narrative cinema. Screen 16, no. 3: 6–18. doi:10.1093/screen/16.3.6.
   Google Scholar
• Nichols, B. 2001. Introduction to documentary. Bloomington-Indianapolis: Indiana University Press.
   Google Scholar
• Parati, G. 2017. Migrant writers and urban space in Italy. proximities and affect in literature and film. London: Palgrave Macmillan.
   Google Scholar
• Pedone, V. 2018. In the eye of the beholder: The orientalist representation of Chinese migrants in Italian documentaries. Journal of Italian Cinema & Media Studies 6, no. 1: 81–95. doi:10.1386/jicms.6.1.81_1.
   Google Scholar
• Piemontese, P. 2003. Cinema nel cinema, Enciclopedia del cinema Treccani, https://www.treccani.it/enciclopedia/cinema-nel-cinema_%28Enciclopedia-del-Cinema%29/.
   Google Scholar
• Ruby, J. 1991. Speaking for, speaking about, speaking with or speaking alongside. Visual Anthropology Review 7, no. 2: 50–67. doi:10.1525/var.1991.7.2.50.
   Google Scholar
• Shohat, E., and R. Stam. 1994. Unthinking eurocentrism. multiculturalism and the media. London/New York: Routledge.
   Google Scholar
• Silverman, K. 1994. The acoustic mirror: The female voice in psychoanalysis and cinema. Bloomington, Ind: Indiana University Press.
   Google Scholar
• Turrini, D. 2011. Ecco il «dragone» milanese tra prima e seconda generazione. Liberazione M.R.C. Rome: January, 9th, IV.
   Google Scholar
• Tutto parla di te [Everything Speaks of You]. 2012. Directed by Alina Marazzi. Italy/Switzerland: MIR Cinematografica/Film Investment Piedmont/Intesa Sanpaolo.
   Google Scholar
• Vogliamo anche le rose [We Want Roses too] (2007). Directed by Alina Marazzi, Italy/Switzerland: Mir Cinematografica/Ventura Film/Rai Cinema/RTSI/CULT - Fox Channels Italy/Aamod/Yle Teema Ateljee.
   Google Scholar
• Zhang, G. 2013. The protest in Milan’s Chinatown and the Chinese Immigrants in Italy in the Media (2007-2009). Journal of Italian Cinema & Media Studies 1, no. 1: 21–37. doi:10.1386/jicms.1.1.21_1.
   Google Scholar
• Zhang, G. 2017. Chinese migrants, morality and ethics in Italian cinema. Journal of Modern Italian Studies 22, no. 3: 385–405. doi:10.1080/1354571X.2017.1321935.
   Web of Science ®Google Scholar
• Zhang, G. 2019a. Migration and the Media. Debating Chinese Migration to Italy, 1992-2012. Toronto: Toronto University Press.
   Google Scholar
• Zhang, G. 2019b. “Frames and agendas in italian films about Chinese migrants.” In LEA – Lingue e letterature d’Oriente e d’Occidente, vol. 8 Natali, Ilaria. 124–37. Firenze: Firenze University Press.
   Google Scholar