Figures & data
Figure 1. Cultural probe package (1 (a)). Examples of postcard (P09, P08) (1 (b)), notebook entry (P09) (1 (c)), percentages leaflet (P09) (1 (d))
![Figure 1. Cultural probe package (1 (a)). Examples of postcard (P09, P08) (1 (b)), notebook entry (P09) (1 (c)), percentages leaflet (P09) (1 (d))](/cms/asset/21893ed2-e971-4975-89dd-776853fcf054/tdci_a_1951358_f0001_oc.jpg)
Figure 2. How graphic designers rely on intuition as an ephemeral facility to progress their creative design process
![Figure 2. How graphic designers rely on intuition as an ephemeral facility to progress their creative design process](/cms/asset/105ef639-1999-462b-905e-edf2f4fdbc5e/tdci_a_1951358_f0002_b.gif)
Figure 3. The roles of intuition in the creative process of graphic designers. Figure shows the creative graphic design process according to the participants (middle of image); where and how intuition weighs in on decisions to move from one stage in the creative process to the next (top of image); and where and how, within the stages of the creative process, intuition facilitates social (bottom left) and material (bottom right) interactions
![Figure 3. The roles of intuition in the creative process of graphic designers. Figure shows the creative graphic design process according to the participants (middle of image); where and how intuition weighs in on decisions to move from one stage in the creative process to the next (top of image); and where and how, within the stages of the creative process, intuition facilitates social (bottom left) and material (bottom right) interactions](/cms/asset/2c5245c6-8d1e-4221-b0c9-a8addb2cf2e7/tdci_a_1951358_f0003_b.gif)