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AREA STUDIES

The three-dimensional wood carving of buah buton: Influence of leaders as symbols of socio-community formation

ORCID Icon, , &
Article: 2267740 | Received 20 Jun 2023, Accepted 03 Oct 2023, Published online: 16 Oct 2023

Figures & data

Figure 1. Buah buton hanging in a traditional house in Luak Tanah Mengandung.

Figure 1. Buah buton hanging in a traditional house in Luak Tanah Mengandung.

Figure 2. An illustration of the Adat Perpatih community.

Figure 2. An illustration of the Adat Perpatih community.

Figure 3. The sketches illustrate the separation of space involving the porch and the mother’s house (Latif & Kosman, Citation2017).

Figure 3. The sketches illustrate the separation of space involving the porch and the mother’s house (Latif & Kosman, Citation2017).

Figure 4. Dato’ Raja Diwangsa’s house.

Figure 4. Dato’ Raja Diwangsa’s house.

Figure 5. The layout presents from the upper view the position of buah buton with the name Diwangsa.

Figure 5. The layout presents from the upper view the position of buah buton with the name Diwangsa.

Figure 6. The design of Diwangsa 1 hanging at the porch space.

Figure 6. The design of Diwangsa 1 hanging at the porch space.

Figure 7. The design of Diwangsa 5 hanging at the mother’s house space.

Figure 7. The design of Diwangsa 5 hanging at the mother’s house space.

Figure 8. Dato Muar Bongkok’s houses.

Figure 8. Dato Muar Bongkok’s houses.

Figure 9. The layout from the upper view of the position of Muar at the end of the porch.

Figure 9. The layout from the upper view of the position of Muar at the end of the porch.

Figure 10. The design of buah buton 1.

Figure 10. The design of buah buton 1.

Figure 11. The design of buah buton 2.

Figure 11. The design of buah buton 2.

Figure 12. Sali’s houses.

Figure 12. Sali’s houses.

Figure 13. The layout position of Sali from the top view.

Figure 13. The layout position of Sali from the top view.

Figure 14. The design of the buah buton at Sali’s house.

Figure 14. The design of the buah buton at Sali’s house.

Figure 15. Anip’s houses.

Figure 15. Anip’s houses.

Figure 16. The position of buah buton (Anip 1) (red circle) hanging from the porch’s floor.

Figure 16. The position of buah buton (Anip 1) (red circle) hanging from the porch’s floor.

Figure 17. The layout of the position of buah buton (Anip) hanging at the porch from the top view.

Figure 17. The layout of the position of buah buton (Anip) hanging at the porch from the top view.

Figure 18. Anip 1 design (left) and Anip 2 design (right).

Figure 18. Anip 1 design (left) and Anip 2 design (right).

Table 1. The information about Dato’ Raja Diwangsa’s house

Table 2. The information about Dato’ Muar Bongkok’s house

Table 3. The information about Sali’s house

Table 4. The information about Anip’s house

Table 5. List of informants along with their answers

Figure 19. A five-inch-tall platform located at the end of the porch of Dato’ Muar Bongkok’s house as respect for the customary leader by his subordinates.

Figure 19. A five-inch-tall platform located at the end of the porch of Dato’ Muar Bongkok’s house as respect for the customary leader by his subordinates.

Figure 20. Red circles depict the hanging position of the two buah buton (Muar) on the ground at the end of the porch, indicating that the house’s occupant or original owner (Penghulu Na’am) is a powerful individual in the Adat Perpatih.

Figure 20. Red circles depict the hanging position of the two buah buton (Muar) on the ground at the end of the porch, indicating that the house’s occupant or original owner (Penghulu Na’am) is a powerful individual in the Adat Perpatih.

Figure 21. Red circles demonstrate the position of the buah buton at the porch space, indicating the position is passed down from generation to generation.

Figure 21. Red circles demonstrate the position of the buah buton at the porch space, indicating the position is passed down from generation to generation.

Figure 22. The rear view of Sali’s house demonstrating the placement of the buah buton (red circle) hanging from the ground as a section is divided by borders of varying widths, guiding principles on humanity’s relationship with God, which demonstrates that leaders and communities rely on each other.

Figure 22. The rear view of Sali’s house demonstrating the placement of the buah buton (red circle) hanging from the ground as a section is divided by borders of varying widths, guiding principles on humanity’s relationship with God, which demonstrates that leaders and communities rely on each other.