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Research Article

Far from the “dreaming spires”: staging active travel in suburban Oxford, UK

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Pages 38-62 | Received 27 Mar 2023, Accepted 29 Jan 2024, Published online: 15 Feb 2024

Figures & data

Figure 1. Jensen’s staging mobilities model (from: staging mobilities, Ole B. Jensen, copyright (© 2013). Reproduced by permission of Taylor & Francis Group.

Image of Ole B. Jensen’s Staging Mobilities model. This is a circle split into three slices each one depicting (1) physical settings, material spaces and design; (2) social interactions; and (3) embodied performances. These are “staged” from above by planning design and regulations, and from below, by people interacting and performing different types of movement in spaces which are both shown above and below the circle split into three slices.
Figure 1. Jensen’s staging mobilities model (from: staging mobilities, Ole B. Jensen, copyright (© 2013). Reproduced by permission of Taylor & Francis Group.

Table 1. Participant profiles and journey summary.

Figure 2. Configuration of the A40 “hamburger” roundabout. (map data: Google earth, image © 2023 Maxar Technologies, image © 2023 Airbus).

Aerial photograph of the A40 “Hamburger” roundabout using Google Earth map data. It shows how the A40 cuts through the middle of the roundabout so that traffic travelling along the A40 can flow straight ahead through the roundabout if signals are on green. All other arms are also signalised apart from the arm that leads to/from the Barton estate. Underpasses run under the roundabout, but signs indicate that cyclists should dismount and wheel their cycles.
Figure 2. Configuration of the A40 “hamburger” roundabout. (map data: Google earth, image © 2023 Maxar Technologies, image © 2023 Airbus).

Figure 3. Crossing at the Barton arm of the A40 “hamburger” roundabout (source: authors’ own).

Photograph of the informal raised crossing on the Barton arm of the A40 “Hamburger” roundabout. The arm is busy with motor traffic. A car is stationary on the informal crossing as it waits to enter the roundabout. A large stationary lorry is also obscuring visibility on the crossing.
Figure 3. Crossing at the Barton arm of the A40 “hamburger” roundabout (source: authors’ own).

Figure 4. Negotiation in motion under the “hamburger roundabout” (source: authors’ own).

Figure 4. Negotiation in motion under the “hamburger roundabout” (source: authors’ own).

Figure 5. Access to the underpass under the A40 “hamburger” roundabout with murals symbolising the “dreaming spires” of Oxford University colleges (source: authors’ own).

Photograph of narrow ramp access to the underpass under the A40 “Hamburger” roundabout. At the entrance is a sign instructing cyclists to dismount. The walls of the underpass are stencilled with the “dreaming spires” of Oxford.
Figure 5. Access to the underpass under the A40 “hamburger” roundabout with murals symbolising the “dreaming spires” of Oxford University colleges (source: authors’ own).

Figure 6. Maria negotiates the underpass under the A40 “hamburger” roundabout (source: authors’ screen grabs from chest-worn action camera, shot at 1920 x 1080, 50 fps).

‘Comic strip’ sequential series of eight still images taken from field researcher’s action camera with captions. The images show how Maria negotiates barriers and tight corners on her cycle at the underpass under the A40 “Hamburger” roundabout. They highlight the cycling skills required to slow, balance, turn, climb, and accelerate in tight spaces space designated exclusively for pedestrians and the elaborate subterranean negotiation in motion that takes place between walkers and cyclists while motor traffic flows overhead.
Figure 6. Maria negotiates the underpass under the A40 “hamburger” roundabout (source: authors’ screen grabs from chest-worn action camera, shot at 1920 x 1080, 50 fps).
Supplemental material

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