ABSTRACT
Karaoke has long been understood as an imitative musical practice, popular among the working class in western society. While scholars have noticed the communicative significance of karaoke in generating interpretive creativity and social interaction, they also point out the tendency of offline karaoke practices to strengthen cultural rules and social hierarchies. For this reason, this paper examines vibrant Chinese streaming karaoke practices and explores how Chinese streaming karaoke, as the originator of cultural and social enclave, offers hope for resistance against cultural censorship and social restriction. Through the lens of the theoretical concepts of tactics, affect and human flourishing, the analysis reveals that the karaoke enclave generates an affective field for vernacular creativities that foster personal wellbeing and social publicness in everyday life, through four playful tactics: to ‘water’ the vibrancy of life, to build ‘asylum’ so as to seek more intensified experiential connections and connect with total strangers, to ‘morph’ into unknown spontaneity and set up non-monetary values, and to perform ‘freak show’ to voice political affect and resonate with the most unlikely of people. The emancipatory power of streaming karaoke play, lies in the interdependence and interconnection of those tactics and they as a whole contribute to the human flourishing.
Acknowledgements
The author thanks two anonymous reviewers for their careful reading of the manuscript and their insightful and critical comments. The author is also grateful to Prof. David Hesmondhalgh for providing helpful comments on earlier draft of the manuscript.
Disclosure statement
No potential conflict of interest was reported by the author(s).