361
Views
0
CrossRef citations to date
0
Altmetric
Research Article

‘Water, asylum, metamorphosis, freak show’: flourishing through streaming karaoke play in China

Received 27 Oct 2022, Accepted 16 Oct 2023, Published online: 08 Nov 2023

References

  • Anonymous, 2017. Chen Hua: entrepreneurship is about making choices every day. Only history can judge right and wrong. Changbao Chen Hua. JIemian News. Available from: https://www.jiemian.com/article/1087493.html
  • Ansdell, G., 1995. Music for life: aspects of creative music therapy with adult clients. London: Jessica Kingsley Publishers.
  • Boyd, D., 2002. Faceted ID/entity: managing representation in a digital world. Master’s thesis. Cambridge, MA: Massachusetts Institute of Technology.
  • Burgess, J., 2006. Hearing ordinary voices: cultural studies, vernacular creativity and digital storytelling. Continuum, 20 (2), 201–214. https://doi.org/10.1080/10304310600641737
  • Cavarero, A., 2012. ‘Multiple voices’: the linguistics of the voice. In: J. Sterne, ed. The sound studies reader. Abingdon: Routledge, 520–532.
  • Cohen, J.E., 2012. Configuring the networked self: law, code, and the play of everyday practice. Georgetown Law Faculty Publications and Other Works. 804. Available from: https://scholarship.law.georgetown.edu/facpub/804
  • Couldry, N., 2010. Why voice matters: culture and politics after neoliberalism. London: SAGE.
  • Couldry, N. and Mejias, U.A., 2020. The costs of connection: how data is colonizing human life and appropriating it for capitalism. Redwood City: Stanford University Press. https://doi.org/10.1515/9781503609754
  • De Certeau, M., 1984. The practice of everyday life. Berkeley: University of California Press.
  • DeNora, T., 2016. Music asylums: wellbeing through music in everyday life. London: Routledge Taylor & Francis Group.
  • Dolar, M., 2012. The linguistics of the voice. In: J. Sterne, ed. The sound studies reader. Abingdon: Routledge, 539–554.
  • Drott, E.A., 2018. Music as a technology of surveillance. Journal of the society for American music, 12 (3), 233–267. https://doi.org/10.1017/S1752196318000196
  • Drew, R., 2001. Karaoke nights: an ethnographic rhapsody. Lanham: AltaMira Press.
  • Drew, R., 2005. ‘Once more, with irony’: karaoke and social class. Leisure studies, 24 (4), 371–383. https://doi.org/10.1080/02614360500150679
  • Fang, H. and Wu, S., 2022. “Life and death” on the internet: metaphors and Chinese users’ experiences of “account bombing”. International journal of communication, 16, 21. Available from: https://ijoc.org/index.php/ijoc/article/view/18332
  • Frith, S., 1998. Performing rites: on the value of popular music. Cambridge, MA: Harvard University Press.
  • Fornäs, J., 1994. Listen to your voice! Authenticity and reflexivity in rock, rap and techno music. New Formations, 24.
  • Fornäs, J., 2005. Filling voids along the byway. In: T. Mitsui and S. Hosokawa, eds. Karaoke around the world: global technology, local singing. London: Routledge, 155–173.
  • Fung, A., 2009. Consuming karaoke in China. Chinese Sociology & Anthropology, 42 (2), 39–55. https://doi.org/10.2753/CSA0009-4625420202
  • Han, B.-C., 2015. The transparency society. Translated by Erik Butler. Stanford, CA: Stanford University Press.
  • Hesmondhalgh, D., 2013. Why music matters. Chichester: Wiley-Blackwell.
  • Hesmondhalgh, D., 2022. Streaming’s effects on music culture: old anxieties and new simplifications. Cultural sociology, 16 (1), 3–24. https://doi.org/10.1177/17499755211019974
  • Honneth, A., 2004. Organized self-realization: some paradoxes of individualization. European journal of social theory, 7 (4), 463–478. https://doi.org/10.1177/1368431004046703
  • IiMedia Report, 2021. Ai media advisory | 2021 Chinese online karaoke industry research report. Available from: https://www.iimedia.cn/c400/82279.html
  • Ingham, T., 2021. China is banning music that ‘insults or defames others’ in its 50,000 karaoke venues. Available from: https://www.musicbusinessworldwide.com/china-is-banning-music-that-insults-or-defames-others-in-its-50000-karaoke-venues
  • Land, C., 2009. The Negative 'Ass-thetics' of William S Burroughs: Forgery, politics and epistemology in radical organization theory. In: Bits of Organization. Advances in Organization Studies. Copenhagen: Copenhagen Business School Press, 141–163.
  • Lee, D., 2016. Man vs. machine: putting humanity back into the marketing mix. Presentation at New York Advertising Week, 27 September. Available from: http://newyork.advertisingweek.com/replay/#date=2016-09-27~video-id=80~venue=6
  • Lum, C.M.K., 1996. In search of a voice: karaoke and the construction of identity in Chinese America. Routledge. https://doi.org/10.4324/9780203053447
  • Kassabian, A., 2013. Ubiquitous listening: affect, attention, and distributed subjectivity. Berkeley: University of California Press.
  • Kelly, W.H., 2005. The adaptability of karaoke in the United Kingdom. In: T. Mitsui and S. Hosokawa, eds. Karaoke around the world: global technology, local singing. London: Routledge, 81–98.
  • Korczynski, M., Pickering, M., and Robertson, E., 2013. Rhythms of labour: music at work in Britain. Cambridge: Cambridge University Press.
  • Massumi, B., 2015. The politics of affect. Cambridge, UK: Polity.
  • Mitsui, T. and Hosokawa, S., 2005. Karaoke around the world: global technology, local singing. London: Routledge.
  • Nowak, R. and Bennett, A., 2022. Music sociology: value, technology, and identity. New York: Taylor & Francis Limited.
  • Otake, A. and Hosokawa, S., 2005. Karaoke in East Asia: modernization, Japanization, or Asianization? In: T. Mitsui and S. Hosokawa, eds. Karaoke around the world: global technology, local singing. London: Routledge.
  • Peters, J., van Eijck, K., and Michael, J., 2018. Secretly serious? Maintaining and crossing cultural boundaries in the karaoke bar through ironic consumption. Cultural sociology, 12 (1), 58–74. https://doi.org/10.1177/1749975517700775
  • Qu, S., Hesmondhalgh, D., and Jian, X., 2023. Music streaming platforms and self-releasing musicians: the case of China. Information, communication & society, 26 (4), 699–715. https://doi.org/10.1080/1369118X.2021.1971280
  • Sloboda, J.A., 2010. Music in everyday life: the role of emotions. In: P.N. Juslin and J.A. Sloboda, eds. Handbook of music and emotion: theory, research, applications. Oxford, UK: Oxford University Press, 493–514.
  • Song, W., 2019. Chaijing Tengxun Yinyue Diguo [Breaking down Tencent’s music empire: music is ‘face’, social is ‘Lizi’]. Sohu News. Available from: https://www.sohu.com/a/334159121_115565
  • Sprengel, D., 2019. ‘More powerful than politics’: affective magic in the DIY musical activism after Egypt’s 2011 revolution. Popular music, 38 (1), 54–72. https://doi.org/10.1017/S0261143018000715
  • Sun, T. and Zhao, Q., 2022. Delegated censorship: the dynamic, layered, and multistage information control regime in China. Politics & Society, 50 (2), 191–221. https://doi.org/10.1177/00323292211013181
  • Tongson, K., 2015. Empty orchestra: the karaoke standard and pop celebrity. Public Culture, 27 (1 (75)), 85–108. https://doi.org/10.1215/08992363-2798355
  • Ugresic, D., 2011. Karaoke culture. New York: Open Letter Press.
  • Vermeeren, L., 2022. Locating vernacular creativity outside the ‘urban cool’ in Beijing: ephemeral water calligraphy. Cultural studies, 36 (5), 748–769. https://doi.org/10.1080/09502386.2021.2011934
  • Wang, J., 2012. Making and unmaking of freedom: sound, affect and Beijing. Doctoral dissertation. Ohio University. OhioLINK Electronic Theses and Dissertations Center. Available from: http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1336097506
  • Weintraub, J., 1997. The theory and politics of the public/private distinction. In: J. Weintraub and K. Kumar, eds. Public and private in thought and practice. 9th ed. Chicago, IL: University of Chicago Press, 1–37.
  • Xiang, B., 2022. Available from: https://www.163.com/dy/article/HEAG12D305169MST.html
  • Xiang, R., 1992. Kalaoke re you dangdai nianqingren shehuihua [‘Kalaoke Fever’ and contemporary youth socialization]. Zhongguo Qingnian Yanjiu, 1, 25–28.
  • Zhao, Z., 2019. The 2019 report of China music industry. Beijing: Communication University of China Press. p. 15.
  • Zheng, S., 1998. Review of In Search of a Voice: Karaoke and the Construction of Identity in Chinese America, by Casey Man Kong Lum. Asian music, 30 (1), 185–190. https://doi.org/10.2307/834267

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.