Blake Edwards, François Truffaut, and Figuration: Two Versions of The Man Who Loved Women

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Notes

1 As Diana Holmes and Robert Ingram (1998) observe in their study of Truffaut’s films, Geneviève’s idea for retitling Morane’s book identifies her as the one responsible for conjuring a “prescient past tense” (132) in the title of Morane’s book.

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Notes on contributors

Steven Rybin

Steven Rybin is associate professor of film studies at Minnesota State University, Mankato. He is the author of Shots to the Heart: For the Love of Film Performance (Anthem Press, 2022), Geraldine Chaplin: The Gift of Film Performance (Edinburgh University Press, 2020), and Gestures of Love: Romancing Performance in Classical Hollywood Cinema (SUNY Press, 2017), among other books and edited volumes. He is currently writing a book on the films of Paul Verhoeven.