Works Cited
- Argentieri, Simona. 2019. “Truffaut and the Failure of Introjection.” In Psychoanalysis and Film, edited by Glen O. Gabbard, 107–114. London: Routledge.
- Brenez, Nicole. 1990. “Comme Vous Ètes: Representation et Figuration, Invention de l’image Cinematographique.” In Admiranda. Vol. 5, 9–19. Included quoted translated by Dominic Lash in The Cinema of Disorientation.
- Durham, Carolyn A. 1998. Double Takes: Culture and Gender in French Films and Their American Remakes. Hanover: University Press of New England.
- Gillain, Anne. 2013. François Truffaut: The Lost Secret. Translated by Alistair Fox. Bloomington: Indiana University Press.
- Haverty Rugg, Linda. 2014. Self-Projection: The Director’s Image in Art Cinema. Minneapolis: University of Minnesota Press.
- Holmes, Diana, and Robert Ingram. 1998. François Truffaut. Manchester: Manchester University Press.
- Insdorf, Annette. 1994. François Truffaut. Revised and updated edition. Cambridge: Cambridge University Press.
- Lash, Dominic. 2020. The Cinema of Disorientation: Inviting Confusions. Edinburgh: Edinburgh University Press.
- Lefebvre, Martin. 1990. “Truffaut and His Doubles.” In A Companion to François Truffaut, edited by Dudley Andrew and Anne Gillain, 23–70. Malden, MA: Blackwell.
- Lehman, Peter, and William Luhr. 1989. Blake Edwards: Returning to the Scene. Athens, OH: Ohio University Press.
- Martin, Adrian. 2014. “Ultimatum: An Introduction to the Work of Nicole Brenez.” In Screening the Past. http://www.screeningthepast.com/2014/12/the-ultimate-journey-remarks-on-contemporary-theory/
- Oldham, Gabriella. 2018. Blake Edwards: Interviews. Jackson: University Press of Mississippi.
- Routt, William D. 2014. “For Criticism: Parts One and Two.” In Screening the Past. http://www.screeningthepast.com/2014/12/de-la-figure-en-general-et-du-corps-en-particulier-linvention-figurative-au-cinema/.