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Performance Research
A Journal of the Performing Arts
Volume 12, 2007 - Issue 4: On Objects
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Original Articles

The Role of Objects in Bataille's: Story of the Eye

Pages 67-77 | Published online: 11 Mar 2010
 

Notes

1All quoted material from Roland Barthes (unless otherwise stated) is from his essay of Citation1963 ‘The Metaphor of the Eye’, which is included the Penguin edition of Story of the Eye.

2Bataille uses the terms ‘general and ‘restricted’ in discussions about his views on the economy. It should be noted that his interpretation of economics was interwoven with his studies on anthropology and sociology.

3Bataille discusses the notion of the ‘accursed share’ (la part maudite) in The Accursed Share, vol. 1, ‘Consumption’, pp. 27–71.

4Susan Sontag explicitly comments on the crossover between pornography and death in her essay, ‘The Pornographic Imagination’ (Citation1967), which precedes Barthes's essay ‘The Metaphor of the Eye’ in the Penguin edition of Story of the Eye.

5Apart object is an expression particularly used in Kleinian analysis to refer to ‘either a bodily organ to whom the subject relates as though it exists solely to satisfy his [sic] needs, or a person whom he [sic] treats as though he (sic) he were an organ existing solely to satisfy the subject's needs’ (see Rycroft Citation1995: 196). In his fragmentation and dislocation of body parts, the sculptor Hans Bellmer can be seen as engaging with the theme of the part object. His workhas pertinence here, given that Bellmer illustrated one of the editions (1946) of Story of the Eye.

6Prior to the writing of Story of the eye, Bataille's friends had recommended that he undergo analysis. It was the ‘virulent obsessions of his writing’ as well as his tendencies towards the pathological that prompted his friends to suggest that he seek treatment for his failing mental health. It was during this period of analysis, under the supervision of Dr Adrien Borel, that Bataille wrote Story of the Eye (Surya Citation2002: 96).

7Free association is a technique of psychoanalysis in which the patient is encouraged to relate to the analyst all thoughts, feelings and images that come to mind. It is meant to be non-directive, unregulated and uncensored thus enabling the patient to communicate freely. See Colman (Citation2003: 288).

8A year before writing Story of the Eye, Bataille had written a book entitled W.C., which he described as being ‘a rather crazy piece of writing’. The manuscript of W. C. was burnt, which is why Story of the Eye is generally accepted as being his first novel (quoted in Bataille Citation1982: 72).

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