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Performance Research
A Journal of the Performing Arts
Volume 12, 2007 - Issue 4: On Objects
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Original Articles

Socíetas Raffaello Sanzio and the Relational Image

Pages 104-114 | Published online: 11 Mar 2010
 

Notes

1 Cesena - C#.01, January 2002; Avignon - A#.02 Festival d'Avignon, July 2002; Berlin - B#.03 Hebbel Theatre, January 2003; Brussels - B#.04 Kunsten Festival des Arts, May 2003; Bergen -B#.05 International Festival Norway, May 2003; Paris - P#.06 Festival d'Automne and Théâtre de l'Europe, October 2003; Rome -R#.07 Romaeuropa Festival, November 2003; Strasbourg - S#.08 Le Maillon Théâtre de Strasbourg, February 2004; London - L#.09 London International Festival of Theatre (LIFT), May 2004; Marseille -M#.10 Les Bernadines avec le Théâtre du Gymnase, September 2004; Cesena - C#.11, December 2004.

2 Gell makes specific reference to fractals, geometry and carrying number sequences as making artefacts ‘cognitively sticky’ and as carriers of profound meaning, especially in relation to decorative form and style (1998: 73-94,155-215).

3 Great Images in NASA [online]. Available from: <http://grin.hq.nasa.gov/ABSTRACTS/GPN-2000-001621.html> The key to translating the plaque on Pioneer Flies in understanding the breakdown of the most common element in the universe - hydrogen. Gombrich also discusses this image in ‘The Visual Image’ in The Image and The Eye: Further Studies in the Psychology of pictorial Representation (1982).

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