Notes
1Here, we will be concerned mainly with the activities that fall within the training sphere of Núñez's work, the ‘dynamics’, and will not address the further problem of whether individuals encountering the work only through a single experience of a ritual theatre production might also have heightened access to what might be identified as the ‘religious’ form of an altered state of consciousness.
2In 1998, five members of the TRW, working under the direction of long-term member Ana Luisa Solís Gil, created the dynamic ‘Tonantzin/Maria’.
3For a description of two of Núñez's dynamics in these terms, see Middleton (Citation2001).
4I joined the TRW halfway through their forty-day pilgrimage to Compostela and, beyond it, to Finisterre on the west coast, a point considered by some to be the end of an ancient pre-Christian pilgrimage into the West.