Abstract
Much of the growing focus of research on home cultures and materiality emphasizes eventful or disruptive temporalities: extensions, renovations, retrofits. Here, we trace how homes and lives are reshaped materially and conceptually, in response to other less disruptive temporalities of accommodation. Interviews with suburban Australian households reveal how people gradually come to know the built fabric of their home over time. Lay expertise is acquired through small material adjustments across multiple timescales: triggered by overlapping rhythms of body and building amidst broader lifecourse rhythms. To explore the role material engagements play in mediating these rhythms we focus on two ubiquitous suburban materials—glass and brick. We seek to demonstrate how bodies learn to work with the qualities of these materials and adjust their rhythms to engender comfort through dwelling in place over time. These comparatively mundane processes of spatial, behavioral and material adjustment take on further significance when connected with questions of entrenched routines and practices, material stewardship, vulnerability, and the ability of households to adapt to a changing climate.
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Disclosure statement
No potential conflict of interest was reported by the author(s).
Note
Notes
1 The use of dwelling here acknowledges a genealogy of Western phenomenological thought that looks beyond a material conceptualization of domestic space, to a broader notion of being-at-home-in-the-world (Heidegger Citation1971). Though there are many critiques of how the concept of dwelling has been deployed in a conservative way (c.f. Massey Citation1992; Massey Citation1994; Ingold Citation2005. See also Harrison Citation2007 for a more comprehensive discussion), our use of the term here reflects its constitution in movement. That is, as Ingold (Citation2000) has argued, the notion that environments are continually under construction (and deconstruction) by a range of different agents. Dwelling makes space for the idea that environments are continually being recreated, refashioned and repaired by their occupants (Ingold Citation2000; Citation2005).