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Notes on contributors
Cameron MacDonald
Cameron MacDonald is PhD candidate and a SSHRC Canada Graduate Scholarship (CGS-D) recipient in the Department of English at the University of Toronto. His dissertation project explores sonic phenomena, events, and metaphors in late-19th to mid-20th century American literature as a means of attuning to queer selfhoods, belongings, temporalities, and affects that query the discursive, linguistic, and technological formations of subjectivity and embodiment imposed by the twinned emergence of modern sexology and sound recording. Cameron’s scholarly writing can be found in publications by Routledge, Journal of Popular Music Studies, University of Toronto Quarterly, and Humanities.