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Book Review

A literary (re)turn in sound studies

The Edinburgh companion to literature and sound studies, edited by Helen Groth and Julian Murphet, Edinburgh, Edinburgh University Press, 2024, 418 pp., $195.00 (hardback), ISBN 9781399502306

References

  • Cecchetto, David. 2022. Listening in the Afterlife of Data: Aesthetics, Pragmatics, and Incommunication. Durham, NC: Duke University Press.
  • Danielewski, Mark. 2000. House of Leaves. New York, NY: Pantheon Books.
  • Furlonge, Nicole Brittingham. 2018. Race Sounds: The Art of Listening in African American Literature. Iowa City, IA: University of Iowa Press.
  • James, Robin. 2019. The Sonic Episteme: Acoustic Resonance, Neoliberalism, and Biopolitics. Durham, NC: Duke University Press.
  • Leighton, Angela. 2018. Hearing Things: The Work of Sound in Literature. Cambridge, MA: Harvard University Press.
  • Napolin, Julie Beth. 2020. The Fact of Resonance: Modernist Acoustics and Narrative Form. Bronx, NY: Fordham University Press.
  • Philip, M. NourbeSe. 2008. Zong! Middletown, CT: Wesleyan University Press.
  • Schafer, R. Murray. (1977) 1994. The Soundscape: Our Sonic Environment and the Tuning of the World. Rochester, VT: Destiny Books.
  • Snaith, Anna, ed. 2020. Sound and Literature. Cambridge, UK: Cambridge University Press.
  • St. Clair, Justin. 2019. “Literature and Sound.” In The Routledge Companion to Sound Studies, edited by Michael Bull, 353–361. London, UK: Routledge.
  • Teague, Jessica. 2021. Sound Recording Technology and American Literature: From the Phonograph to the Remix. Cambridge, UK: Cambridge University Press.

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