Giovanni di Paolo's Pizzicaiuolo AltarpieceFootnote* In preparing this article I profited largely from the helpfulness of collectors and of the curators of the museums and collections in which the paintings under consideration are preserved. The research was greatly stimulated by the interest of my colleagues at the Institute for Advanced Study in Princeton. Of these Professor Marvin Eisenberg gave countless valuable suggestions. Above all I am indebted to Mrs. Elisabeth Beatson, whose enthusiasm and critical remarks form a huge contribution to the completion of this study.
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