CON EL ECO DE LOS BARRILES: RACE, GENDER AND THE BOMBA IMAGINARY IN PUERTO RICOFootnote11. I borrow the first part of this title from the song “El eco de mis barriles,” written and performed by Víctor Vélez. I especially thank Merida Rúa, Gaye Johnson, Ana Yolanda Ramos-Zayas, and two anonymous reviewers for their careful suggestions and feedback as I worked through various drafts of this paper.
Reprints and Corporate Permissions
Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?
To request a reprint or corporate permissions for this article, please click on the relevant link below:
Academic Permissions
Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?
Obtain permissions instantly via Rightslink by clicking on the button below:
If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.
Related research
People also read lists articles that other readers of this article have read.
Recommended articles lists articles that we recommend and is powered by our AI driven recommendation engine.
Cited by lists all citing articles based on Crossref citations.
Articles with the Crossref icon will open in a new tab.