Scaring CrowsFootnote** My thanks to three anonymous referees for their helpful appraisals of an earlier draft of this work. For bookshelf prompts, digital prods and regional pointers: William Hasty, Joe Gerlach, Maggie Bolton, Aire Wishart, Helen Macdonald, Mark Cocker, David Featherstone, Paul Hodge and Drew Mulholland. This essay benefitted from the contributions of unusually diverse audiences at Helpston Parish Church, the Traverse Theatre, Edinburgh and the Excursions Symposium, University of Glasgow.
Reprints and Corporate Permissions
Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?
To request a reprint or corporate permissions for this article, please click on the relevant link below:
Academic Permissions
Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?
Obtain permissions instantly via Rightslink by clicking on the button below:
If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.
Related research
People also read lists articles that other readers of this article have read.
Recommended articles lists articles that we recommend and is powered by our AI driven recommendation engine.
Cited by lists all citing articles based on Crossref citations.
Articles with the Crossref icon will open in a new tab.