The Photographic Construction of Tourist Space in Victorian AmericaFootnote** I gratefully acknowledge Louisiana State University's Council on Faculty Research for a Summer Research Grant and the College of Arts and Sciences for a Research Fellowship for Non‐Tenured Faculty; Oliver and Jean Reese of the H. H. Bennett Studio Foundation for their continued support of my research and for permission to reprint the illustrations in this article; and Nicolette Bromberg, William Cronon, Frank Goodyear, Peter B. Hales, Mark Klett, Martha Sandweiss, Joan Schwartz, Yi‐Fu Tuan, and this journal's three anonymous reviewers for helping refine my arguments about landscape and photography.
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