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African Studies Volume 76, 2017 - Issue 2: Opening-up Mozambique: Histories of the present
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Tracing elusive wars: Reading war in Mia Couto’s Sleepwalking Land, Under the Frangipani and The Last Flight of the Flamingo

Sean Anthony Rogers Non-affiliated scholarCorrespondence[email protected]
Pages 281-292 | Received 26 Nov 2015, Accepted 02 Dec 2015, Published online: 08 Jun 2017

References

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  • Cosme, J. 2007. ‘Appropriating Mia Couto: Language, identity and “Lusofonia”’. Bulletin of Hispanic Studies 84: 435–52. doi: 10.3828/bhs.84.4.2
  • Couto, M. 1990. Voices Made Night (David Brookshaw, trans). London: Heinemann.
  • Couto, M. 2001a. Under the Frangipani (David Brookshaw, trans). Cape Town: David Philip.
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  • Hofmeyr, I. 2006. ‘Seeing the familiar: Notes on Mia Couto’, in S. Nuttall (ed), Beautiful Ugly: African and Diaspora Aesthetics. Durham: Duke University Press.
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  • Newitt, M. 2002. ‘Mozambique’, in P. Chabal et al (eds), A History of Postcolonial Lusophone Africa. London: Hurst & Company.
  • Rogers, S. 2010. ‘Living under a new tree: Organic representation of a postwar future in Mia Couto’s Under the Frangipani’. Research in African Literatures 41(3): 112–23. doi: 10.2979/RAL.2010.41.3.112
  • Rothwell, P. 2004. A Postmodern Nationalist: Truth, Orality, and Gender in the Work of Mia Couto. Lewisburg: Bucknell University Press.
  • West, H.G. 2005. Kupilikula: Governance and the Invisible Realm in Mozambique. Chicago: University of Chicago Press.

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