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Articles

“The Third Factor”: Modernity and the Absent City in the Work of Paul Nash, 1919–36

Pages 457-474 | Published online: 09 May 2014

Frequently Cited Sources

  • Bottomley, G., and P. Nash, Poet and Painter: Being the Correspondence Between Gordon Bottomley and Paul Nash, 1910–1946, ed. C.C. Abbott and A. Bertram, London, New York, Toronto, 1955.
  • Cardinal, R., The Landscape Vision of Paul Nash, London, 1989.
  • Causey, A., Paul Nash, Oxford, 1980.
  • Clark, T.J., The Painting of Modern Life: Paris in the Art of Manet and His Followers, London, 1990.
  • Cork, R., “Machine Age, Apocalypse and Pastoral,” British Art in the 20th Century, ed. S. Compton, exh. cat., Royal Academy of Art, London, 1986, 63–72.
  • Harrison, C., English Art and Modernism, 1900–1939, London and Bloomington, 1981.
  • Hynes, S., A War Imagined: The First World War and English Culture, London, 1990.
  • Lewis, W., Enemy of the Stars, Wyndham Lewis: Collected Poems and Plays, ed. A. Munton, Manchester, 1979.
  • Nash, P., Outline: An Autobiography, preface A. Causey, London, 1988.

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