Frequently Cited Sources
- Ballerini, J., “Pygmalion Revisited: Reproductions of Sculpture as Pictured by Three Inventors of Photography—Bayard, Daguerre, and Talbot,” paper delivered at Annual Meeting of the College Art Association, Washington, D.C., 1991, currently in press.
- Colombo, C., and S. Sontag, eds., Italy: One Hundred Years of Photography, New York, 1988.
- Finn, D., How to Look at Sculpture, New York, 1989.
- Fraenkel, J., ed., The Kiss of Apollo: Photography and Sculpture 1845 to the Present, intro. E.P. Janis, San Francisco, 1991.
- Lullies, R., and M. Hirmer, Greek Sculpture (1st German ed. Munich, 1956), trans. M. Bullock, London and Munich, 1957.
- Preziosi, D., Rethinking Art History: Meditations on a Coy Science, New-Haven, 1989.
- Pygmalion photographe: La Sculpture devant la camera, 1844–1936, texts R. Mason, H. Pinet, H. Wölfflin, exh. cat., Cabinet d'Éstampes, Musée d'Art et d'Histoire, Geneva, 1985.
- Reading into Photography: Selected Essays 1959–1980, ed. S. Armitage, T.F. Barrow, W.E. Tydeman, Albuquerque, N.M., 1982.
- Swenson, C., ed., The Experience of Sculptural Form: Photographs by Clarence Kennedy, exh. cat., Detroit Institute of Arts, Detroit, 1987.
- Williams, W.E., ed., Adolphe Braun, Walker Evans, André Kertész: Photographers of Sculpture; Other Photographers of Sculpture, exh. cat., Comfort Gallery, Haverford College, Haverford, Pa., 1988.