References
- Articles which go beyond a limited definition of art and architecture history are seldom included in the journals; however, one can find more enlightened thinking and questioning on the subject in periodicals dealing with architectural theory (e.g., Architectural Association Quarterly or Design and Environment) or in some social sciences journals (e.g., Landscape—a magazine of cultural geography, published primarily during the sixties, had enlightened interdisciplinary approaches to historical interpretation.)
- New York: Van Nostrand Reinhold Co., 1970.
- Boston: Houghton, Mifflin and Co., 1947.
- Harvard University Press, 1941.
- Anthony Jackson, “A Plea for Architectural Experience,” Journal of Architectural Education, Vol. 15, No. 4, Winter 1961, 12.
- Basil Honikman, “Towards a New History of Architecture,” Design and Environment, Vol. 6, No. 2., Summer, 1975, 25.
- Ibid., p. 26.
- Bruce Allsopp, The Architecture of Humanism, London: F. Muller Ltd., 1974, 32.
- Bernard Rudolfsky, Architecture Without Architects, Garden City, N.Y.: Doubleday and Co., Inc., 1964, Preface.
- Patricia Sloan, “Teaching Art History in the Community College,” New Ideas in Art Education, Gregory Battcock, ed. New York: E.P. Dutton and Co., 1973, p. 111.
- John Maass, “Where Architectural Historians Fear to Read,” Journal of the Society of Architectural Historians, Vol. 28, No. 1, March 1969, p. 4.
- Buford L. Pickens, “Form and Fashion: A Historical View,” Journal of Architectural Education, Vol. 19, No. 4., June 1965, 53.
- Reyner Banham received popular acclaim through a photograph appearing in newspapers, several years ago, of a billboard in Los Angeles which said, “We love you, Reyner Banham.” It was supported by local citizens after Banham arrived in this country and proclaimed Los Angeles to be the most honest reflection of American culture.
- Reyner Banham, Architecture of the Well Tempered Environment, London: The Architectural Press, 1969.
- Paul Oliver, ed., Shelter and Society, New York: Praeger, Publishers, 1969. Also. Shelter in Africa, New York: Praeger Publishers, 1971.
- Amos Rapoport, House, Form and Culture, Englewood Cliffs, N.J.: Prentice Hall, 1969.
- Garden City, N.Y.: Doubleday and Co., Inc., 1964.
- Garden City, N.Y.: Doubleday and Co., Inc., 1969.
- Sullivan's exact remarks were: “The damage wrought by the World's Fair will last for half a century from its date, if not longer.” Louis Sullivan, Autobiography of An Idea, Dover Ed., New York: Dover Publications, Inc., 1956, p. 325.
- Denison B. Hull, “Freedom in Architecture,” Journal of the American Institute of Architects, Vol. 15, No. 6, June 1951, p. 255.
- For examples of such inaccuracies note the following two works: David H. Crook. “Louis Sullivan and The Golden Door Way,” Journal of the Society of Architectural Historians, Vol. 26, No. 4, December 1967, pp. 259–271.
- Dimitri Tselos, “The Chicago Fair and the Myth of the Lost Cause,” Journal of the Society of Architectural Historians, Vol. 26, No. 4, December 1967, pp. 259–271.
- Juan Pablo Bonta, “The Anatomy of Architectural Interpretation: Eight Stages in the Bibliography of the Barcelona Pavilion.” Paper presented at the Eighteenth Congress of Applied Psychology, Montreal, July 31, 1974.
- Bill Moyer, “A Conversation with Robert Penn Warren,” Bill Moyer's Journal, produced by WNET, April 4, 1976.
- Educational materials are available from the National Trust for Historical Preservation, 740–748 Jackson Place N.W., Washington, D.C. 20006.