References
- Rabbethge-Schiller, H. 1997. Contemporary Art!Xu and Khwe. Rosenheim: Rabbethge-Schiller (Initially published as Zeitgenössische Kunst der Buschleute aus Südafrika.)
- Rankin, E. 2002. ‘Between Modernism and Memory the art of the!Xu and Khwe’. In African identities: Contemporary political and social challenges, ed. by P. Ahluwalia and A. Zegeye. Aldershot: Ashgate, pp 28–41.
- Rankin, E.. 2003. Review of Marlene Sullivan, My Eland's Heart. de arte 67: 82–87.
- Winberg, M. S. 2001. My Eland's Heart. Cape Town: David Philip.
References
- Abiodun, R., H. Drewal and J. III. Pemberton. 1989. Yoruba: Nine centuries of art and thought. New York: Abrams and the Centre for African Art.
- Drewal, H. and J. Mason. 1998. Beads, body and soul: Art and light in the Yoruba universe. Los Angeles: University of California, Fowler Museum of Cultural History.
References
- Miller, K. 2005. T-Shirts, testimony, and truth: Memories of violence made visible. Textile: A Journal of Cloth and Culture 3(3):1–47.
- Schmahmann, B. (ed.). 2000. Material matters: Appliqués by the Weya women of Zimbabwe and needlework by South African collectives. Johannesburg: Wits University Press.
- Weir, S. 2007. Embroidery from Palestine. Seattle: University of Washington Press.