References
- Atkinson, B. and C. Breitz. 1999. Grey areas: Representation, identity and politics in contemporary South African art. Johannesburg: Chalkham Hill Press.
- Berlant, L. 1997. The Queen of America goes to Washington City: Essays on sex and citizenship. Durham: Duke University Press.
- Berlant, L. 2008. The female complaint: The unfinished business of sentimentality in American culture. Durham: Duke University Press.
- Borzello, F. 1998. Seeing ourselves: Women's self-portraits. London: Thames and Hudson.
- Butler, J. c. 1990. Gender trouble: Feminism and the subversion of identity. New York and London: Routledge.
- Bystrom, K. and S. Nuttall. 2013. Private lives and public cultures in South Africa. Cultural Studies 27(3): 307–332.
- Coetzee, J.M. 1988. White writing: On the culture of letters in South Africa. New Haven and London: Yale University Press.
- Coombes, A.E. 2003. History after apartheid: Visual culture and public memory in a democratic South Africa. Durham: Duke University Press.
- Corrigall, M. 2010. The ‘Grey areas’ debate 14 years later. Incorrigible Corrigall, 12 July. http://corrigall.blogspot.co.uk/2010/07/grey-areas-debate-14-years-later.html (accessed 21 June 2014).
- Drunkman, S. 1995. The gay gaze, or why I want my MTV. In A queer romance: Lesbians, gay men and popular culture, ed. P. Burston and C. Richardson, 89–105. London: Routledge.
- Dyer, R. 1992. Don't look now: The male pin-up. In The sexual subject: A screen reader in sexuality, ed. The Screen Editorial Collective, 265–276. London: Routledge.
- Dyer, R. 1997. White. London: Routledge.
- Enwezor, O. 1997. Reframing the black subject: Ideology and fantasy in contemporary South African representation. Third Text 11(40): 21–40.
- Etherington, K. 2003. Trauma, the body and transformation: A narrative inquiry. Philadelphia: Jessica Kingsley Publishers.
- Falkof, N. 2013. A ‘bloody epidemic’: Whiteness and family murder in late apartheid South Africa. Safundi 14(3): 307–325.
- Felman, S. and D. Laub. 1992. Testimony: Crises of witnessing in literature, psychoanalysis and history. London: Routledge.
- Frankenburg, R. 1993. White women, race matters: The social construction of whiteness. Minnesota: University of Minnesota Press.
- Garner, S. 2007. Whiteness: An introduction. London: Routledge.
- Goodman Gallery. 2012. Minnette Vari / In the Viewing Room. http://www.goodman-gallery.com/exhibitions/296 (accessed March 2014)
- Haffajee, F. 2013. The problem with whiteness: Ferial Haffajee. City Press, 31 March. www.citypress.co.za/columnists/the-problem-with-whiteness-ferial-haffajee (accessed 3 April 2013).
- Heartney, E. 2007. Cindy Sherman: The polemics of play. In After the revolution: Women who transformed contemporary art, ed. E. Heartney, H. Posner, N. Princenthal and S. Scott, 168–187. Munich: Prestel.
- Kay, B. 2006. Blaming whitey. National Post, 13 September. http://web.archive.org/web/20090520052049/http://www.barbarakay.ca/archive/20060913whitey.html (accessed 16 November 2011).
- Laub, D. 1995. Truth and testimony: The process and the struggle. In Trauma: Explorations in memory, ed. C. Caruth, 61–75. Baltimore: Johns Hopkins University Press.
- Linkman, A. 2011. Photography and death. London: Reaktion.
- Mcintosh, P. 1989. White privilege: Unpacking the invisible knapsack. Peace and Freedom Magazine (Women's International League for Peace and Freedom, Philadelphia) 10–12.
- Mulvey, L. 1975. Visual pleasure and narrative cinema. Screen 16(3)(Autumn): 6–18.
- Mulvey, L. 1981. Afterthoughts on ‘Visual pleasure and narrative cinema inspired by Duel in the Sun. Framework 15/17: 12–15.
- Mulvey, L. 1996. Fetishism and curiosity. London: British Film Institute.
- Mulvey, L. 2006. Death 24 × a second: Stillness and the moving image. London: Reaktion Books.
- Nash, C. 1996. Reclaiming vision: Looking at landscape and the body. Gender, Place & Culture: A Journal of Feminist Geography 3(2): 149–170.
- Nixon, S. 1997. Exhibiting masculinity. In Representation: Cultural representations and signifying practices, ed. S. Hall, 291–330. London: Sage.
- Oguibe, O. 1997. Beyond visual pleasures: A brief reflection on the work of contemporary African women artists. In Gendered visions: The art of contemporary Africana women artists, ed. S.M. Hassan, 63–72. Asmara, Eritrea: Africa World Press.
- Richards, C. 1991. About face: Aspects of art history and identity in South African visual culture. Third Text 5(16/17): 101–134.
- Roediger, D. 2003. Colored white: Transcending the racial past. Berkeley: University of California Press.
- Schneider, R. 1997. The explicit body in performance. London and New York: Routledge.
- Shohat, E. and R. Stam. 1994. Unthinking Eurocentrism: Multiculturalism and the media. New York: Routledge.
- Snyman, G. 2008. African hermeneutics' ‘outing’ of whiteness. Neotestimentica 42(1): 97–122.
- Steyn, M.E. 1999. White identity in context. In Whiteness: The communication of social identity, ed. T.K. Nakayama and J.N. Martin, 264–278. Thousand Oaks: Sage.
- Steyn, M.E. 2004. Rehabilitating a whiteness disgraced: Afrikaner white talk in post-apartheid South Africa. Communication Quarterly 52(2): 143–169.
- Sullivan, N. 2003. A critical introduction to Queer Theory. New York: New York University Press.
- Tickner, L. 1978. The body politic: Female sexuality & women artists since 1970. Art History 1(2): 236–251.
- Turner, B.S. 1996. The body and society: Explorations in social theory. London: Sage.
- Van der Watt, L. 2001. Making whiteness strange. Third Text 15(56): 63–74.
- Van der Watt, L. 2005. Witnessing trauma in post-apartheid South Africa: The question of generational responsibility. African Arts 38(3) (Autumn): 26–35, 93.
- Vári, M. 1999. Artist's statement, Oracle. http://minnettevari.com/MV_texts.htm (accessed 10 October 2010).
- Vári, M. 2012. Interview with Jessica Draper, 7 September, Johannesburg.
- Warner, M. 2002. Publics and counterpublics. London: Zone Books.