References
- Amin, A. 2008. Collective culture and urban public space. City: Analysis of Urban Trends, Culture, Theory, Policy, Action 12(1):5–24. doi: 10.1080/13604810801933495
- Archer, M.S. 2003. Structure, agency, and the internal conversation. New York: Cambridge University Press.
- Archer, M.S. 2010. Introduction: The reflexive re-turn. In Conversations about reflexivity, ed. M.S. Archer, 1–14. New York: Routledge.
- BBC news online. 1999. Statue’s race change angers Afrikaners. http://news.bbc.co.uk/2/hi/africa/456770.stm (accessed 4 november 2015).
- Borgdorff, H. 2012. The conflict of the faculties: Perspectives on artistic research and academia. Leiden: Leiden University Press.
- Brenson, M. 1989. The messy saga of ‘Tilted Arc’ is far from over. http://www.nytimes.com/1989/04/02/ arts/art-view-the-messy-saga-of-tilted-arc-is-far-from-over.html?pagewanted=all (accessed 4 november 2015).
- Busch, K. 2009. Artistic research and the poetics of knowledge. Art and Research 2(2):1–7.
- Cartiere, C. and S. Willis, eds. 2008. The practice of public art. New York: Routledge.
- Cobussen, M. 2007. The Trojan horse: Epistemological explorations concerning practice-based research. Dutch Journal of Music 12(1):18–29.
- Coessens, K., D. Crispin and A. Douglas. 2009. The artistic turn: A manifesto. Leuven: Leuven University Press.
- Comaroff, J. and J. Comaroff. 2012. Theory from the south: Or, how Euro-America is evolving toward Africa. Anthropological Forum 22(2):113–131.
- Cusick, S. 1994. Feminist theory, music theory, and the mind/body problem. Perspectives of New Music 32(1):8–27. doi: 10.2307/833149
- Daya, S. 2011. Performing place, mobility and identity in South Africa. Area 43(4):488–494. doi: 10.1111/j.1475-4762.2011.01031.x
- De Certeau, M. 1984. The practice of everyday life. Trans. S. Rendall. Berkeley: University of California Press.
- Deutsche, R. 1996. Evictions: Art and spatial politics. Cambridge: MIT Press.
- Dogantan-Dack, M. 2006. The body behind music: Precedents and prospects. Psychology of Music 34(4):449–464. doi: 10.1177/0305735606067155
- Fleishmann, M. and J. Pather. 2014. Performing Cape Town: An epidemiological study in three acts. In Performing cities, ed. N. Whybrow, 91–119. London: Palgrave Macmillan.
- Fuchs, A. 2002. Playing the market: The Market Theatre, Johannesburg. Amsterdam: Rodopi.
- Hall, T. and I. Robertson. 2001. Public art and urban regeneration: Advocacy, claims and critical debates. Landscape Research 26(1):5–26. doi: 10.1080/01426390120024457
- Hannula, M., J. Suoranta and T. Vaden. 2005. Artistic research: Theories, methods, practices. Helsinki: Academy of Performing Arts.
- ‘Infecting the City.’ 2015. http://infectingthecity.com/2015/festival/ (accessed 7 August 2015).
- Kaye, N. 2013. Site-specific art: Performance, place and documentation. London: Routledge.
- Klein, J. 2010. What is artistic research? Research Catalogue: An International Database for Artistic Research. http://julianklein.info/texte/2010-artistic_research-JKlein.pdf (accessed 17 May 2014).
- Loveday, C. 2014. Shifting perceptions: Composing in and for Johannesburg. Unpublished paper developed for South African Society for Research in Music Annual Conference, July.
- Miles, M. 1997. Art, space and the city: Public art and urban futures. London: Routledge.
- Minty, Z. 2006. Post-apartheid public art in Cape Town: Symbolic reparations and public space. Urban Studies 43(2):421–440. doi: 10.1080/00420980500406728
- Nuttall, S. and A. Mbembe. 2008. Johannesburg: The elusive metropolis. Durham: Duke University Press.
- Pagis, M. 2009. Embodied self-reflexivity. Social Psychology Quarterly 72(3):265–283. doi: 10.1177/019027250907200308
- Parnell, S. and J. Robinson. 2012. (Re)theorizing cities from the Global South: Looking beyond neoliberalism. Urban Geography 33(4):593–617. doi: 10.2747/0272-3638.33.4.593
- Pearson, M. 1997. Special worlds, secret maps: A poetics of performance. In Staging Wales: Welsh Theatre 1979–1997, ed. A. Taylor, 85–99. Cardiff: University of wales Press.
- Pearson, M. 2010. Site-specific performance. London: Palgrave Macmillan.
- Pinder, D. 2008. Urban interventions: Art, politics and pedagogy. International Journal of Urban and Regional Research 32(3):730–736. doi: 10.1111/j.1468-2427.2008.00810.x
- Pollock, V.L. and R. Paddison. 2010. Embedding public art: Practice, policy and problems. Journal of Urban Design 15(3):335–356. doi: 10.1080/13574809.2010.487810
- Rheinberger, H. 1997. Toward a history of epistemic things: Synthesizing proteins in the test tube. Stanford: Stanford University Press.
- Schon, D. 1991. The reflective practitioner: How professionals think in action. Aldershot: Ashgate.
- Schuermans, N.P.J., M.P.J. Loopmans and J. Vandenabeele. 2012. Public space, public art and public pedagogy. Social and Cultural Geography 13(7):675–682. doi: 10.1080/14649365.2012.728007
- Schwab, M., ed. 2013. Experimental systems: Future knowledge in artistic research. Leuven: Leuven University Press.
- Schwab, M. and H. Borgdorff, eds. 2014. The exposition of artistic research: Publishing art in academia. Leuven: Leuven University Press.
- Sharpe, J., V. Pollock and R. Paddison. 2005. Just art for a just city: Public art and social inclusion in urban regeneration. Urban Studies 42(5/6):1001–1023. doi: 10.1080/00420980500106963
- Snowball, J.D. 2005. Art for the masses? Justification for the public support of the arts in developing countries – two arts festivals in South Africa. Journal of Cultural Economics 29(2):107–125. doi: 10.1007/s10824-005-5064-5
- Stolp, M. 2012. Contemporary performance practice of art music in South Africa: A practice-based research enquiry. PhD dissertation, Stellenbosch University.
- Turner, C. 2004. Palimpsest or potential space? Finding a vocabulary for site-specific performance. New Theatre Quarterly 20(4):373–390. doi: 10.1017/S0266464X04000259
- Wilkie, F. 2002. Mapping the terrain: A survey of site-specific performance in Britain. New Theatre Quarterly 18(2):140–160. doi: 10.1017/S0266464X02000234
- Williamson, S. 2000. Brett Murray’s ‘Africa’. Artthrob 33. http://artthrob.co.za/00may/reviews.html (accessed 13 January 2016).
- Young-Jahangeer, M. 2013. Watermarks: Intervening in the City of Cape Town. Critical Arts: South–North Cultural and Media Studies 27(2):254–262. doi: 10.1080/02560046.2013.784390
- Zebracki, M. 2013. Beyond public artopia: Public art as perceived by its publics. GeoJournal 78:303–317. doi: 10.1007/s10708-011-9440-8