430
Views
4
CrossRef citations to date
0
Altmetric
Articles

Why Play the Notes? Indirect Aesthetic Normativity in Performance

Pages 78-91 | Received 30 May 2018, Published online: 03 May 2019

References

  • Adams, R. 1976. Motive Utilitarianism, The Journal of Philosophy 73/14: 467–81. doi: 10.2307/2025783
  • Amira, J. and S. Cornelius 1992. The Music of Santería: Traditional Rhythms of the Batá Drums, Crown Point, IN: White Cliffs Media.
  • Benjamin, W. 1968. The Work of Art in the Age of Mechanical Reproduction, in Illuminations, New York: Random House: 219–253.
  • Davies, D. 2012. Enigmatic Variations, The Monist 95/4: 643–62. doi: 10.5840/monist201295432
  • Davies, S. 1987. Authenticity in Musical Performance, The British Journal of Aesthetics 27/1: 39–50. doi: 10.1093/bjaesthetics/27.1.39
  • Davies, S. 2001. Musical Works and Performances: A Philosophical Exploration, Oxford: Clarendon Press.
  • Dodd, J. 2015. Performing Musical Works Authentically, European Journal of Philosophy 23/3: 485–508. doi: 10.1111/j.1468-0378.2012.00546.x
  • Edidin, A. 1991. Look What They’ve Done to My Song: ‘Historical Authenticity’ and the Aesthetics of Musical Performance, Midwest Studies in Philosophy 16/1: 394–420. doi: 10.1111/j.1475-4975.1991.tb00250.x
  • Edidin, A. 1997. Performing Compositions, The British Journal of Aesthetics 37/4: 323–36. doi: 10.1093/bjaesthetics/37.4.323
  • Foot, P. 1958. Moral Beliefs, Proceedings of the Aristotelian Society 59/1: 83–104. doi: 10.1093/aristotelian/59.1.83
  • Gauthier, D. 1986. Morals by Agreement, Oxford: Clarendon Press.
  • Goodman, N. 1976. Languages of Art: An Approach to a Theory of Symbols, Indianapolis, IN: Hackett Publishing.
  • Goldie, P. 2007. Towards a Virtue Theory of Art, The British Journal of Aesthetics 47/4: 372–87. doi: 10.1093/aesthj/aym022
  • Hume, D. 1740 (1978). A Treatise of Human Nature, ed. P.H. Nidditch, Oxford: Clarendon Press.
  • Kania, A. 2011. All Play and No Work: An Ontology of Jazz, The Journal of Aesthetics and Art Criticism, 69/4: 391–403. doi: 10.1111/j.1540-6245.2011.01483.x
  • Kavka, G.S. 1983. The Toxin Puzzle, Analysis 43/1: 33–6. doi: 10.1093/analys/43.1.33
  • Kivy, P. 1988. Live Performances and Dead Composers, in Human Agency: Language, Duty and Value: Philosophical Essays in Honor of J.O. Urmson, ed. J. Dancy, J.M.E. Moravcsik, and C.C.W. Taylor, Stanford: Stanford University Press: 219–36.
  • Lamarque, P. 2010. Wittgenstein, Literature, and the Idea of Practice, The British Journal of Aesthetics 50/4: 375–88. doi: 10.1093/aesthj/ayq040
  • Levinson, J. 1980. What a Musical Work Is, The Journal of Philosophy 77/1: 5–28. doi: 10.2307/2025596
  • MacIntyre, A. 1984. After Virtue, 2nd edn, Notre Dame, IN: University of Notre Dame Press.
  • McAllester, D. 1954. Enemy Way Music: A Study of Social and Esthetic Values as Seen in Navaho Music, Cambridge, MA: Peabody Museum.
  • Rawls, J. 1955. Two Concepts of Rules, The Philosophical Review 64/1: 3–32. doi: 10.2307/2182230
  • Ridley, A. 2003. Against Musical Ontology, The Journal of Philosophy 100/4: 203–20. doi: 10.5840/jphil200310046
  • Ridley, A. 2012. Musical Ontology, Musical Reasons, The Monist 95/4: 663–83. doi: 10.5840/monist201295433
  • Thompson, M. 2008. Life and Action: Elementary Structures of Practice and Practical Thought, Cambridge, MA: Harvard University Press.
  • Williams, B. 1973. A Critique of Utilitarianism, in J.J.C. Smart, and B. Williams, Utilitarianism: For and Against, Cambridge: Cambridge University Press: 75–155.
  • Wolterstorff, N. 2015. Art Rethought: The Social Practices of Art, Oxford: Oxford University Press.
  • Young, J.O. and Matheson, C. 2000. The Metaphysics of Jazz, The Journal of Aesthetics and Art Criticism 58/2: 125–33. doi: 10.2307/432091

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.