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Original Articles

Foreclosure of the Other: From Sartre to Deleuze

Pages 32-43 | Published online: 05 Nov 2015

References

  • Gilles Deleuze and Claire Parnet, Dialogues, tr. by Hugh Tomlinson and Barbara Habberjam (New York): Columbia University Press, 1987), pp. 12, 57; Gilles Deleuze, The Logic of Sense, tr. by Mark Lester with Charles Stivale. Ed. by Constantin V. Boundas (New York: Columbia University Press, 1990), pp. 98, 102, 105, 307, 366, no. 12; Gilles Deleuze and Félix Guattari, Anti-Oedipus, Capitalism and Schizophrenia, tr. by Robert Hurley, Mark Seem, Helen R. Lane (New York: Viking Press, 1977), p. 28 n., p. 256; Gilles Deleuze and Félix Guattari, A Thousand Plateaus, Capitalism and Schizophrenia, tr. by Brian Mussami (Minneapolis: University of Minnesota Press, 1987), p. 171: Gilles Deleuze, Cinema I. The Movement-Image, tr. by Hugh Tomlinson and Barbara Habberjam (Minneapolis: University of Minnesota Press, 1986), pp. 56–57, 114, 116; Gilles Deleuze, Cinema 2. The Time-Image, tr. by Hugh Tomlinson and Robert Gaietta (Minneapolis: University of Minnesota Press, 1989), pp. 60, 63, 88, 106; Gilles Deleuze and Félix Guattari, Kafka. Toward a Minor Literature, tr. by Dana Polan (Minneapolis: University of Minnesota Press, 1986), p. 96 n. 3; Gilles Deleuze, Foucault, tr. by Sean Hand (Minneapolis: University of Minnesota Press, 1986), pp. 8, 91, 110, 135 n. 11, 150 n. 45, 152 n. 12.
  • See Dialogues, 12.
  • The Logic of Sense, pp. 98–99, 105.
  • Set Anti-Oedipus. Capitalism and Schizophrenia, pp. 256–257.
  • Gilles Deleuze, “Il été mon maître,” Arts (28 October-3 November 1964); pp. 8–9.
  • Cinema I. The Movement Image, pp. 56–57.
  • The Logic of Sense, p. 105.
  • Ibid, p.307.
  • For Deleuze's views on minor discourse, see A Thousand Plateaus. Capitalism and Schizophrenia, pp. 100–110; for Sartre's engagement, see Qu'est-ce que la littérature? (Paris: Gallimard, 1984).
  • Deleuze's theory of desire as affirmation and joy can be found in Dialogues, pp. 89–103; see also his Expression in Philosophy. Spinoza (New York: Zone Books, 1990), passim. For Sartre's views on desire, see Being and Nothingness (New York: Philosophical Library, 1956) pp. 382–412.
  • On these points, compare Sartre's Search for a Method (New York: Vintage, 1986), pp. 85–166 with Deleuze's A Thousand Plateaus. Capitalism and Schizophrenia, 100–110.
  • See The Logic of Sense, pp. 319–320; see also Gilles Deleuze, “Coldness and Cruelty,” in Masochism (New York: Zone Books, 1989 (c) 1971 Faber and Faber).
  • See The Logic of Sense, p. 105.
  • The Logic of Sense, pp. 319–320
  • See Cinema 1: The Movement-Image, pp. 57–58.
  • Merleau-Ponty is nonetheless often mentioned by Deleuze in his latter work Francis Bacon: Logique de la sensation, 2 vols. (Paris: Les Editions de la Difference, 1981).
  • The Logic of Sense, pp.305–306.
  • Critique, vol. 23, pp. 503–525.
  • Michel Tournier, Friday, tr. by Norman Denny (New York: Pantheon Books, 1985).
  • Ibid, pp. 301–321.
  • Ibid, pp. 310 ff.
  • Ibid, p.106.
  • Ibid, p. 105.
  • Ibid, p.99.
  • Ibid, p.311.
  • Ibid, pp. 312–313.
  • Ibid, p. 311.
  • Ibid, p. 309.
  • Ibid, p. 311.
  • Ibid, p. 310.
  • Cinema 1. The Movement-Image, p. 57.
  • The Logic of Sense, p. 307.
  • For these points and the discussion that follows, see The Logic of Sense, pp. 100–117.
  • See Gilles Deleuze, Le Pli. Leibniz et le baroque, (Paris: Editions de Minuit, 1988), pp. 79–102.

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