References
- Bakewell, Charles. Source Book in Ancient Philosophy. Rev. ed. New York, NY: Gordian Press, 1973.
- Bergson, Henri. La Perception du changement. Oxford: Clarendon Press, 1911.
- Bergson, Henri. Time and Free Will: An Essay on the Immediate Data of Consciousness. Translated by F. L. Pogson. London: Allen & Unwin, 1910.
- Boone, Colin. “Hardy's Poem ‘Lines to a Movement’—which Symphony?” Thomas Hardy Journal 6 (1990): 61–9.
- Roy, Buckle. ‘My Transcriptions / For Hardy Lovers/ The Mozart Question'. SEGR Music. [cited February 26 2015]. Available from http://www.segr-music.net/.
- Eliot, T. S. The Complete Poems and Plays. London: Faber, 1969.
- Gibson, James, and Trevor Johnson, eds. Thomas Hardy. Poems: A Casebook. London: Macmillan, 1979.
- Gish, Nancy K. Time in the Poetry of T.S. Eliot. Totowa, NJ: Barnes and Noble, 1981.
- Green, Brian. Hardy's Lyrics: Pearls of Pity. London: Macmillan, 1996.
- Hardy, Florence Emily. The Life of Thomas Hardy 1840–1928. Compiled Largely from Notes, Letters, Diaries, and Biographic Memoranda, as well as from Oral Information in Conversation Extending Over Many Years. London: Macmillan, 1962.
- Hardy, Thomas. Collected Poems. London: Macmillan, 1920.
- Hardy, Thomas. The Complete Poems. Edited by James Gibson. London: Palgrave, 2001.
- Hardy, Thomas. The Literary Notebooks of Thomas Hardy. London: Macmillan, 1985.
- Hardy, Thomas. The Return of the Native. London: Macmillan, 1929.
- Hardy, Thomas. Tess of the D'Urbervilles. A Pure Woman. London: Macmillan, 1916.
- Hynes, Samuel. The Pattern of Hardy's Poetry. Chapel Hill, NC: University of North Carolina Press, 1961.
- Ingham, Patricia. “Hardy and ‘The Cell of Time’.” In The Poetry of Thomas Hardy, edited by Patricia Clements and Juliet Grindle. London: Vision Press, 1980.
- Johnson, Trevor. Thomas Hardy. London: Evans, 1968.
- Larkin, Philip. Collected Poems. Edited by Anthony Thwaite. London: Faber, 1988.
- Marsden, Kenneth. The Poems of Thomas Hardy. A Critical Introduction. London: Athlone Press, 1969.
- McAlindon, Tom. “Cathedral Musings: Larkin, Wilder, and the Mutability Tradition.” English 63 (2014): 115–31.
- McAlindon, Tom. Shakespeare's Tragic Cosmos. Cambridge: Cambridge University Press, 1991.
- McAlindon, Tom. “What is a Shakespearean Tragedy?” In The Cambridge Companion to Shakespearean Tragedy, edited by Claire McEachern. Cambridge: Cambridge University Press, 2002.
- McAlindon, Tom. “Yeats and the English Renaissance.” PMLA 82 (1967): 157–69. doi: 10.2307/461284
- Panofsky, Erwin. Studies in Iconology. Humanistic Themes in the Art of the Renaissance. New York, NY: Harper and Row, 1972.
- Paulin, Tom. “‘The Proudest Songster of Them All’: Some Thoughts on Three ‘Everyday Lyrics’.” In The Ashgate Research Companion to Thomas Hardy, edited by Rosemarie Morgan. Farnham: Ashgate, 2010.
- Paulin, Tom. Thomas Hardy. The Poetry of Perception. 2d ed. London: Macmillan, 1986.
- Paulin, Tom. “ Time and Sense Experience: Hardy and T.S. Eliot.” In Budmouth Essays on Thomas Hardy: Papers Presented at the 1975 Summer School. Dorchester: The Thomas Hardy Society, 1976.
- Pinion, F. B. A Hardy Companion. London: Macmillan, 1968.
- Shakespeare, William. The Complete Works. Edited by Stanley Wells and Gary Taylor. Oxford: Clarendon Press, 1988.
- Southworth, James Granville. The Poetry of Thomas Hardy. 1947. Reprint, New York, NY: Russell and Russell, 1966.
- Spenser, Edmund. The Poetical Works. Edited by J. C. Smith and E. de Selincourt. London: Oxford University Press, 1912.
- Swinburne, A. C. Collected Poetical Works. London: Heinemann, 1924.
- Tomalin, Claire. Thomas Hardy. The Time-Torn Man. London: Viking, 2006.
- Yeats, William Butler. The Poems. Edited by Richard J. Finneran. London: Macmillan, 1984.