Making Light of Grave Matters: Humour in Edith Eaton’s Works

Bibliography

• “A New Note in Fiction.” New York Times. Review of Mrs. Spring Fragrance. July 7, 1912:405.
   Google Scholar
• “Book Reaches the Heart.” Review of Mrs.: Spring Fragrance, by Edith Eaton. The Boston Globe, June 29, 1912: 13.
   Google Scholar
• “Literary Notes.” Review of Mrs.: Spring Fragrance, by Edith Eaton. The Independent. August 15, 1912: 388.
   Google Scholar
• “Mrs. Spring Fragrance.” Review. San Francisco Sunday Call. July 7, 1912: 31.
   Google Scholar
• Birchall, Diana. Onoto Watanna: The Story of Winnifred Eaton. Urbana: University of Illinois Press, 2001.
   Google Scholar
• Chapman, Mary, ed. Becoming Sui Sin Far: Early Fictions, Journalism, and Travel Writings by Edith Maude Eaton. Montreal: McGill-Queen’s University Press, 2016.
   Google Scholar
• Colcord, Lincoln. “Delong’s Wife.” The Hampton’s Magazine. January, 1910.
   Google Scholar
• Crunden, Robert M. Ministers of Reform: the Progressives’ Achievement in American Civilization, 1889–1920. Urbana: University of Illinois Press, 1985.
   Google Scholar
• DesRochers, Rick. The New Humor in the Progressive Era: Americanization and the Vaudeville Comedian. New York: Palgrave Macmillan, 2014.
   Google Scholar
• Dietrich, Lucas A. Writing Across the Color Line: U.S. Print Culture and the Rise of Ethnic Literature, 1877–1920. Amherst: University of Massachusetts Press, 2020.
   Google Scholar
• Dupree, Ellen. “Sui Sin Far’s Argument for Biculturalism in Mrs. Spring Fragrance.” In Asian American Studies: Identity, Images, Issues Past and Present, edited by Esther Mikyung Ghymn, 77–100. Peter Lang, 2000.
   Google Scholar
• Eagleton, Terry. Humour. New Haven: Yale University Press, 2019.
   Google Scholar
• Eaton, Edith. “A Trip in a Horse Car.” In Mary Chapman, 3–7.
   Google Scholar
• Eaton, Edith. “Misunderstood: The Story of a Young Man.” In Mary Chapman, 7–10.
   Google Scholar
• Eaton, Edith. “The Origin of a Broken Nose.” In Mary Chapman, 16–20.
   Google Scholar
• Eaton, Edith. December 4: “To Robert Underwood Johnson.” Century Collection, New York Public Library, 1903.
   Google Scholar
• Eaton, Edith. [Sui Sin Far]. “In the Land of the Free.” In Amy Ling and Annette White-Parks, 93–100.
   Google Scholar
• Eaton, Edith. [Sui Sin Far]. “Leaves from the Mental Portfolio of a Eurasian.” In Amy Ling and Annette White-Parks, 218–30.
   Google Scholar
• Eaton, Edith. [Sui Sin Far]. “Mrs. Spring Fragrance.” In Amy Ling and Annette White-Parks, 17–27.
   Google Scholar
• Eaton, Edith. [Sui Sin Far]. “The Chinese Spirit of Non-Resistance Will Disappear.” Boston Daily Globe, February 7, 1915.
   Google Scholar
• Eaton, Edith. [Sui Sin Far]. “The Inferior Woman.” In Amy Ling and Annette White-Parks, 28–41.
   Google Scholar
• Eaton, Edith. [Wing Sing]. “Wing Sing of Los Angeles on His Travels.” In Mary Chapman, 198–236.
   Google Scholar
• Eaton, Edith. [Sui Sin Far]. “The Transformation of Wong-Toy.” Sunset 15 (1905): 427–429.
   Google Scholar
• Eaton, Edith. [Sui Sin Far]. “The Success of a Mistake.” Westerner 8.3 (1908 February): 18–22.
   Google Scholar
• Eaton, Edith. [Sui Sin Far]. (Transcribed by). “What about the Cat?” Good Housekeeping (new York, N Y ) 46.3 (1908 March): 290–291.
   Google Scholar
• Eaton, Edith. [Sui Sin Far]. “The Inferior Woman.” The Hampton’s 24 (May 1910): 727–731.
   Google Scholar
• Ferens, Dominika. “Tangled Kites: Sui Sin Far’s Negotiation with Race and Readership.” Amerasia Journal 25, no. 2 (1999): 117–145.
   Web of Science ®Google Scholar
• Kahan, Michael B. “Urban America.” In A Companion to the Gilded Age and Progressive Era, edited by Christopher McKnight Nichols and Nancy C. Unger, 31–43. Wiley Blackwell, 2017.
   Google Scholar
• Li, Wenxin. “Sui Sin Far and the Chinese American Canon: Toward a Post-Gender-Wars Discourse.” MELUS 29, no. 3/4 (2004): 121–131.
   Google Scholar
• Ling, Amy. 1987. “Revelation and Mask: Autobiographies of the Eaton Sisters.” Auto/Biography Studies 3.2 (1987): 46–52.
   Google Scholar
• Ling, Amy and Annette White-Parks, eds. 1995. Mrs. Spring Fragrance and Other Writings By Sui Sin Far. Urbana: University of Illinois Press.
   Google Scholar
• Liu, Zhen. “Write as Another: Edith Eaton’s Wing Sing of Los Angeles on His Travels.” British Journal of Canadian Studies 34, no. 1 (2022): 59–79.
   Web of Science ®Google Scholar
• McCullough, Kate. Regions of Identity: The Construction of America in Women’s Fiction, 1885–1914. Stanford: Stanford University Press, 1999.
   Google Scholar
• Nichols, McKnight Christopher and Nancy C. Unger, eds. A Companion to the Gilded Age and Progressive Era. Wiley Blackwell, 2017.
   Google Scholar
• Trav, S. D. No Applause—Just Throw Money: The Book That Made Vaudeville Famous. Henry Holt, 2007.
   Google Scholar
• Wang, Qingjia Edward. “Quests from the Open Door: The Reception of Chinese Students into the United States, 1900s-1920s.” The Journal of American-East Asian Relations 3, no. 1 (1994): 55–75.
   Google Scholar
• White-Parks, Annette. “‘We Wear the Mask’: Sui Sin Far as One Example of Trickster Authorship.” In Tricksterism in Turn-of-the Century American Literature: A Multicultural Perspective, edited by Elizabeth Ammons and Annette White-Park, s1–20. Hanover: University Press of New England, 1994.
   Google Scholar
• White-Parks, Annette. Sui Sin Far/Edith Maude Eaton: A Literary Biography. Urbana: University of Illinois Press, 1995.
   Google Scholar
• Wonham, Henry B. Playing the Races: Ethnic Caricature and American Literary Realism. Oxford: Oxford University Press, 2004.
   Google Scholar