LITTLE PERPETRATORS, WITNESS-BEARERS AND THE YOUNG AND THE BRAVE: TOWARDS A POST-TRANSITIONAL AESTHETICS

WORKS CITED

• Anderson , James C. and Jeffrey , T. Dean. 1998 . ‘Moderate Autonomism’ . British Journal of Aesthetics , 38 ( 2 ) : 150 – 166 .
   Google Scholar
• Arenschield , Laura . ‘Writer: Niq Mhlongo’ . An African Interview Series 8 May 2008 http://74.125.95.132/search?q=cache:H2vhp9Ale4J:interviews.amagazine.org/%3Fp . Accessed on 14 September 2009 .
   Google Scholar
• Ashton , Paul et al. ‘The Fatherless Sons of Violence’ . Cape Argus 23 June 2008 15 .
   Google Scholar
• Barthes , Roland. 1977 . Image Music Text , Paris : Fontana .
   Google Scholar
• Carroll , Noël. 1996 . ‘Moderate Moralism’ . British Journal of Aesthetics , 36 ( 3 ) : 223 – 238 .
   Web of Science ®Google Scholar
• Chapman , Michael. 2009 . ‘Introduction: Conjectures on South African Literature’ . Current Writing , 21 ( 1&2 ) : 1 – 23 .
   Google Scholar
• Corrigall , Mary . ‘The Iconoclast’ . The Sunday Independent (Sunday Life supplement) 24 January 2010 : 26 .
   Google Scholar
• Corrigall , Mary . ‘The Great Black Hope’ . The Sunday IndependenZt 9 August 2009 25 26 .
   Google Scholar
• De Kock , Leon. 2008 . ‘A History of Restlessness: And Now for the Rest’ . English Studies in Africa , 51 ( 1 ) : 109 – 122 .
   Web of Science ®Google Scholar
• Eagleton , Terry. 1990 . The Ideology of the Aesthetic , London : Blackwell .
   Google Scholar
• Eaton , Tom . ‘Russell Brownlee Takes Us inside Garden of the Plagues’ . LitNet 6 September 2005. http://74.124.95.132/search?q=cache:6tyKoJpM0qYJ:www.oulit.co.za/nosecret/rus . Accessed on 20 September 2009 .
   Google Scholar
• Flockemann , Miki. 2001 . ‘The Aesthetics of Transformation: Reading Strategies for South African Theatre’ . South African Theatre Journal , 15 ( 1&2 ) : 25 – 39 .
   Google Scholar
• Frenkel , Ronit . ‘Literary Cartographies: A Post-Transitional Palimpsest’ . Unpublished paper. Post-Transitional Literary Studies Symposium , University of Johannesburg , 1 October 2009
   Google Scholar
• Gilroy , Paul. 1994 . The Black Atlantic: Modernity and Double Consciousness , Cambridge : Harvard University Press .
   Google Scholar
• Gobodo-Madikezela , Pumla . ‘Economic Injustice Takes Us to the Precipice: Crisis Calls for Leaders with Moral Courage’ . Cape Times 13 June 2008 : 9 .
   Google Scholar
• Goodman , Lizbeth. 1993 . Contemporary Feminist Theatres: To Each Her Own , London and New York : Routledge .
   Google Scholar
• Grootboom , Mpumelelo Paul Presley Chweneyagae . Relativity: “Township Stories” . Johannesburg : Dung Beetle Dramas , 2006 .
   Google Scholar
• Hassim , Shireen , Tawana Kupe Eric Worby . Go Home or Die Here: Violence, Xenophobia and the Reinvention of Difference . Johannesburg : Witwatersrand University Press , 2009 .
   Google Scholar
• Heyns , Michiel . ‘Michiel Heyns in Conversation with Russell Brownlee’ . LitNet 8 September 2006 . http://74.124.95.132/search?q=cache:FFOiAGcnLREJ:www.linet.co.za/cgi-bin/giga . Accessed on 19 September 2009 .
   Google Scholar
• Hofmeyr , Isabel. 2007 . ‘The Black Atlantic Meets the Indian Ocean: Forging New Paradigms of Transnationalism for the Global South Literary and Cultural Perspectives’ . Social Dynamics: Oceanic Worlds/Bordered Worlds , 33 ( 2 ) : 3 – 32 .
   Web of Science ®Google Scholar
• Isaacson , Maureen . ‘An Initiate Claiming His Space as a Man’ The Sunday Independent , edition 1 28 June 2009 http://www.Sundayindependent.co.za/general/print-article.php?articleld=5056231 . Accessed on 22 December 2009 .
   Google Scholar
• Isaacson , Maureen . ‘Dog Eat Dog World of the Township is Fast-Paced Enough to be Theatre . The Sunday Independent 6 July 2008 http://www.Sundayinmdependentt.co.za/index.php?farticleID=4490973 . Accessed 13 April 2010 .
   Google Scholar
• Jacobs , J.U. 2008 . ‘Playing in the Dark/Playing in the Light: Coloured Identity in the Novels of Zoë Wicomb’ . Current Writing , 20 ( 1 ) : 1 – 15 .
   Google Scholar
• Jones , Alice . ‘A Bleak Vision of South Africa Hits the Stage’ . The Independent on Sunday 22 August 2009 http://www.independent.co.uk/arts-entertainment/theatre-dance/features/ableak-visio . Accessed on 20 September 2009 .
   Google Scholar
• Matlwa , Kopano. 2007 . Coconut , Johannesburg : Jacana .
   Google Scholar
• Mgqolozana , Thando. 2009 . A Man Who Is Not A Man , Scottsville : UKZN Press .
   Google Scholar
• Mhlongo , Niq. 2004 . Dog Eat Dog , Cape Town : Kwela .
   Google Scholar
• Meyering , Sharon . ‘Once bitten. … Interview with Niq Mhlongo’ . LitNet 24 June 2004 http://74.125.95.132/search?q=cache:AChDBpjxDI8J:www.oulitnet.co.za/ricochet/ni . Accessed on 14 September 2009 .
   Google Scholar
• Nuttall , Sarah. 2009 . Entanglements: Literary and Cultural Reflections on Post-Apartheid , Johannesburg : Witwatersrand University Press .
   Google Scholar
• Olaussen , Maria. 2009 . ‘Generation and Complicity in Zoë Wicomb's Playing in the Light’ . Social Dynamics , 35 ( 1 ) : 149 – 161 .
   Web of Science ®Google Scholar
• Oliver , Kelly. 2004 . ‘Witnessing and Testimony’ . Parallax , 20 ( 1 ) : 79 – 88 .
   Google Scholar
• Phewa , Asansa . ‘A Face Like Mine’ . Unpublished Play Script. Grahamstown Festival , 2009 .
   Google Scholar
• Samuelson , Meg. 2007 . Remembering the Nation, Dismembering Women? Stories of the South African Transition , Pietermaritzburg : UKZN Press .
   Google Scholar
• Sanders , Mark. 2002 . Complicities: The Intellectual and Apartheid , Durham and London : Duke University Press .
   Google Scholar
• Spencer , Lynda. 2009 . ‘Young, Black and Female in Post-Apartheid South Africa: Identity Politics in Kopano Matlwa's Coconut . Scrutiny2 , 14 ( 1 ) : 66 – 78 .
   Google Scholar
• Titlestad , Michael . ‘The pitfalls of the literary debut’ . Sunday Times 25 March 2007 http://www.shaunjohnson.co.za/articles_two.html . Accessed on 29 September 2009 .
   Google Scholar
• Trengove-Jones , Tim. 2008 . ‘Gay Times: Reading Literature in English in South Africa Today’ . English Studies in Africa. , 51 ( 1 ) : 94 – 108 .
   Web of Science ®Google Scholar
• Umez , Uche Peter . ‘Bubo on My Groin’ . Eclectica Magazine October / November 2008. http://74.125.95.132/search?q=cache:H5hLB53YASIJ:www.eclectica.org/v12n4/ume . Accessed on 14 September 2009 .
   Google Scholar
• Walton , Kendall. 2004 . “ ‘Categories of Art’ ” . In Aesthetics and the Philosophy of Art , Edited by: Lamargue , Peter and Olsen , Stein Haugom . 142 – 157 . Oxford : Blackwell .
   Google Scholar
• Ward , C. 1990 . ‘What They Told Emecheta: Oral Subjectivity and the Joys of “Otherhood”’ . PMLA , 105 ( 1 ) : 83 – 97 .
   Google Scholar
• West-Pavlov , Russell. 2008 . “ ‘“Daft Questions’: Xenophobia, Teaching, and Social Semiosis in Caribbean- British Fiction: Using Intertextuality and Narratology to Analyze a Text by David Dabydeen’ ” . In Embracing the Other , 49 – 60 . New York/Amsterdam : Rodopi .
   Google Scholar
• Wicomb , Zoë. 2006 . Playing in the Light , Cape Town : Umuzi .
   Google Scholar
• Willis , Paul. 1990 . Common Culture , Buckingham : Open University Press .
   Google Scholar