References
- Bardon, Geoffrey. 1979. Aboriginal Art of the Western Desert. Sydney: Rigby
- Bardon, Geoffrey. 1991. Papunya Tula: Art of the Western Desert. Melbourne: McPhee Gribble, Penguin
- Bardon, Geoffrey & James Bardon. 2006. Papunya: A Place Made After the Story. The Beginnings of the Western Desert Painting Movement. Melbourne: Miegunyah Press
- Benjamin, Roger, (eds). 2009. Icons of the Desert: Early Aboriginal Paintings from Papunya, Ithaca: Cornell University Press
- Biddle, Jennifer. 2007. Breasts, Bodies, Canvas: Central Desert Art as Experience. Sydney: University of New South Wales Press
- Brunton, Ron. 1991. Mining Credibility: Coronation Hill and the Anthropologists. Anthropology Today, 8(2):2–5. doi: 10.2307/2783491
- Casey, Edward. 2002. Representing Place: Landscape Painting and Maps. Minneapolis, MN: University of Minnesota Press
- Carty, John & Alison French. 2011. Art of Central Australia: Refigured Ground. In The Cambridge Companion to Autralian Art, edited by Jaynie Anderson. pp. 122–42. Melbourne: Cambridge University Press.
- David, Bruno. 2002. Landscapes, Rock-Art, and The Dreaming: Archaeology of Preunderstanding. London: Leicester University Press
- Fry, Tony & Anne-Marie Willis. 1989. Aboriginal Art: Symptom or Success?. Art in America, 109–117 (July): 159–63.
- Gelder, Ken & Jane Jacobs. 1998. Uncanny Australia: Sacredness and Identity in a Postcolonial Nation. Melbourne: Melbourne University Press
- Gumbert, Marc. 1984. Neither Justice Nor Reason: A Legal and Anthropological Analysis of Aboriginal Land Rights. St Lucia: University of Queensland Press
- Heidegger, Martin. 1971. Building, Dwelling, Thinking. In Poetry, Language, Thought, edited by Albert Hofstadter. pp. 143–162. New York: Harper and Row
- Ingold, Tim. 1993. The Temporality of the Landscape. World Archaeology, 25(2):152–174. doi: 10.1080/00438243.1993.9980235
- Ingold, Tim. 1996. Hunting and Gathering as Ways of Perceiving the Environment. In Redefining Nature: Ecology, Culture and Domestication, edited by Roy Ellen & Karen Fukui. pp. 117–155. Oxford: Berg Press
- Ingold, Tim, (eds). 2000. Totemism, Animism and the Depiction of Animals. In The Perception of the Environment, pp. 111–131. London: Routledge
- Important Aboriginal Art. 1997. Sotheby's Catalog. Sydney: Sotheby's Australia Pty. Ltd.
- Important Aboriginal Art. 1998. Sotheby's Catalog. Sydney: Sotheby's Australia Pty. Ltd.
- James, Diana. 2009. Painting the Song: Kaltjiti Artists of the Sand Dune Country. Sydney: McCulloch and McCulloch Australian Art Books
- Jorgensen, Darren. 2011. Bagging Aboriginal Art. Arena, no. 111:38–42.
- Kimber, Richard. 1995. The Politics of the Secret in Contemporary Western Desert. In Politics of the Secret, Oceania Monographs 45, edited by Christopher Anderson, pp. 123-42. Sydney: Sydney University Press.
- Merlan, Francesca. 1991. The Limits of Cultural Constructionism: The Case of Coronation Hill. Oceania, 61(4):341–352.
- Morphy, Howard. 1983. ‘Now You Understand’ – An Analysis of the Way Yolngu Have Used Sacred Knowledge to Retain their Autonomy. In Aborigines, Land and Land Rights, edited by Nicolas Peterson & Marcia Langton. Canberra: Australian Institute of Aboriginal Studies
- Morphy, Howard. 1991. Ancestral Connections. Chicago, IL: University of Chicago Press
- Morphy, Howard. 1995. Landscape and the Reproduction of the Ancestral Past. In The Anthropology of Landscape, edited by Eric Hirsch & Michael O'Hanlon. Oxford: Clarendon Press
- Munn, Nancy. 1966. Visual Categories: An Approach to the Study of Representational Systems. American Anthropologist, 66:939–950.
- Munn, Nancy. 1970. The Transformation of Subjects into Objects in Walbiri and Pitjantjatjara Myth. In Australian Aboriginal Anthropology, edited by R. Berndt. pp. 141–163. Nedlands: University of Western Australia Press
- Munn, Nancy. 1973a. Walbiri Iconography. Ithaca: Cornell University Press
- Myers, Fred. 1982. Always Ask: Resource Use and Landownership among the Pintupi of Central Australia. In Resource Managers: North American and Australian Hunter-Gatherers, edited by N. W. a. E. Hunn. Boulder: Westview Press
- Myers, Fred. 1986. Pintupi Country, Pintupi Self: Sentiment, Place, and Politics among Western Desert Aborigines. Canberra: Australian Institute of Aboriginal Studies and Smithsonian Institution
- Myers, Fred. 1988. Burning the Truck and Holding the Country: Forms of Property, Time, and the Negotiation of Identity among Pintupi Aborigines. In Hunter- Gatherers, II: Property, Power and Ideology, edited by David Riches, Tim Ingold & James Woodburn. London: Berg Publishing
- Myers, Fred. 1989. Truth, Beauty and Pintupi Painting. Visual Anthropology, 2:163–95. doi: 10.1080/08949468.1989.9966508
- Myers, Fred. 1991. Representing Culture: The Production of Discourse(s) for Aboriginal Acrylic Paintings. Cultural Anthropology, 6(1):26–62. doi: 10.1525/can.1991.6.1.02a00020
- Myers, Fred. 1999. Aesthetics and Practice: A Local Art History of Pintupi Painting. In The Art of Place: Dialogues with the Kluge-Ruhe Collection of Australian Aboriginal Art, edited by H. Morphy & M. Boles. Seattle: University of Washington Press
- Myers, Fred. 2000. Ways of Placemaking. In Culture, Landscape, and the Environment, edited by Howard Morphy & Katherine Flynt. pp. 72–110. Oxford: Oxford University Press
- Myers, Fred. 2002. Painting Culture: The Making of an Aboriginal High Art. Durham: Duke University Press
- Myers, Fred. 2001. The Wizards of Oz? Nation, State and the Making of Aboriginal Fine Art. In The Empire of Things, edited by F. Myers, pp. 165-206. Santa Fe: SAR Press.
- Myers, Fred. 2004. Unsettled Business: Acrylic Painting, Tradition, and Indigenous Being. Visual Anthropology, 17:3–4. (special issue, Confronting World Art): 247–72 doi: 10.1080/08949460490468036
- Myers, Fred. 2012. Censorship from Below: Aboriginal Art in Australian Museums. In No Deal: Indigenous Art and the Politics of Possession, edited by Tressa Berman. Santa Fe: School of Advanced Research Press
- Peirce, C.S. 1955. Philosophical Writings of Pierce. Editor by J. Bachler. New York: Dover Publications.
- Peirce, C.S. 1958. The Collected Papers of C. S. Peirce, vols. 1-6, ed. Charles Hartshorne and Paul Weiss; vols. 7-8, ed. A. W. Burks, Cambridge: Harvard University Press.
- Povinelli, Elizabeth. 1993. Labour's Lot: The Power, History, and Culture of Aboriginal Action. Chicago, IL: University of Chicago Press
- Povinelli, Elizabeth. 2002. The Cunning of Recognition. Durham: Duke University Press
- Rothwell, Nicolas. 2009. From the Desert, Artists Came. The Australian, 13 February 2009.
- Stanner, W. E.H. 1965. Aboriginal Territorial Organization. Oceania, 36:1–26.
- Sutton, Peter, (eds). 1988. Dreamings: The Art of Aboriginal Australia, New York: G. Braziller
- Tamisari, Franca. 1998. Body, Vision, Movement: In the Footprints of the Ancestors. Oceania, 68:249–70.
- Thomas, Nicholas. 1991. Entangled Objects: Exchange, Material Culture, and Colonialism in the Pacific. Cambridge: Harvard University Press.
- Tonkinson, Robert. 1997. Anthropology and Aboriginal Tradition: The Hindmarsh Island Bridge Affair and the Politics of Interpretation. Oceania, 68(1):1–26.
- Vachon, Daniel. 2005. The Serpent, the Word and the Lie of the Land. PhD Dissertation. Department of Anthropology, University of Toronto.
- Watson, Christine. 2003. Piercing the Ground: Balgo Women's Image Making and Relationship to Country. Freemantle: Freemantle Arts Centre Press
- Weiner, James. 1995. Anthropologists, Historians and the Secret of Social Knowledge. Anthropology Today, 11(5):3–5. doi: 10.2307/2783183
- Weir, Peter. 1975. Picnic at Hanging Rock. Canberra: Australian Film Commission
- Williams, Nancy. 1986. The Yolngu and their Land: A System of Land Tenure and the Fight for its Recognition. Canberra: Australian Institute of Aboriginal Studies