Canvases of Political Competition: Image Production as Politics in Tamil Nadu, India

References

• Appadurai, Arjun. 1990. Topographies of the Self: Praise and Emotion in Hindu India. In Language and the Politics of Emotion, edited by Catherine Lutz & Lila Abu-Lughod. pp. 92–112. Cambridge: Cambridge University Press.
   Google Scholar
• Appadurai, Arjun, Carol A. Breckenridge. 1992. Museums Are Good to Think: Heritage on View in India. In Museums and Communities: The Politics of Public Culture, edited by Ivan Karp. pp. 34–55. Washington, DC: Smithsonian Institution Press.
   Google Scholar
• Baskaran, S. T. 1996. The Eye of the Serpent: An Introduction to Tamil Cinema. Chennai: East West Books.
   Google Scholar
• Bate, Bernard. 2009. Tamil Oratory and the Dravidian Aesthetic: Democratic Practice in South India. New York: Columbia University Press.
   Google Scholar
• Boorstin, D. J. 1992. The Image: A Guide to Pseudo-events in America. New York: Vintage Books.
   Google Scholar
• Davis, Richard H. 2007. Picturing the Nation: Iconographies of Modern India. New Delhi: Orient Longman.
   Google Scholar
• Dickey, Sara. 1993a. Cinema and the Urban Poor in South India (Cambridge Studies in Social and Cultural Anthropology). Cambridge: Cambridge University Press.
   Google Scholar
• Dickey, Sara. 1993b. The Politics of Adulation: Cinema and the Production of Politicians in South-India. Journal of Asian Studies, 52(2):340–72. doi: 10.2307/2059651
   Web of Science ®Google Scholar
• Dickinson, Maggie. 2008. The Making of Space, Race and Place: New York City's War on Graffiti, 1970 – the Present. Critique of Anthropology, 28(1):27–45. doi: 10.1177/0308275X07086556
   Web of Science ®Google Scholar
• Dirks, Nicholas B. 1993. The Hollow Crown: Ethnohistory of an Indian Kingdom. Michigan, MI: University of Michigan Press.
   Google Scholar
• Eck, Diana L. 1981. Darsan: Seeing the Divine Image in India (Focus on Hinduism and Buddhism). Chambersburg, PA: Anima Books.
   Google Scholar
• Ferrell, Jeff. 1995. Urban Graffiti: Crime, Control, and Resistance. Youth & Society, 27(1):73–92. doi: 10.1177/0044118X95027001005
   Web of Science ®Google Scholar
• Forrester, D. B. 1976. Factions and Filmstars – Tamil Nadu Politics Since 1971. Asian Survey, 16(3):283–96. doi: 10.2307/2643545
   Google Scholar
• Freedberg, David. 1988. Iconoclasm and Painting in the Revolt of the Netherlands 1566–1609. New York: Garland.
   Google Scholar
• Freedberg, David. 1989. The Power of Images: Studies in the History and Theory of Response. Chicago, IL: University of Chicago Press.
   Google Scholar
• Freitag, Sandria B. 2007. More Than Meets the (Hindu) Eye: The Public Arena as a Space for Alternative Visions. In Picturing the Nation: Iconographies of Modern India, edited by Richard H Davis. pp. 92–116. New Delhi: Orient Longman.
   Google Scholar
• Gerritsen, Roos. 2006. Tamil Wedding Souvenirs of Predictive Love: Future Memories in South India. Etnofoor, 19(2): 5-22.
   Google Scholar
• Gerritsen, Roos. 2012. Fandom on Display: Intimate Visualities and the Politics of Spectacle (Dissertation). Leiden: Leiden University.
   Google Scholar
• Geschiere, Peter. 2003. On Witch Doctors and Spin Doctors: The Role of ‘Experts’ in African and American Politics. In Magic and Modernity: Interfaces of Revelation and Concealment, edited by Birgit Meyer & Peter Pels. pp. 159–82. Stanford, CA: Stanford University Press.
   Google Scholar
• Hardgrave, R. L. 1964. The DMK and the Politics of Tamil Nationalism. Pacific Affairs, 37(4):396–411. doi: 10.2307/2755132
   Web of Science ®Google Scholar
• Hardgrave, R. L. 1973. Politics and the Film in Tamilnadu: The Stars and the DMK. Asian Survey, 13(3):288–305. doi: 10.2307/2643038
   Web of Science ®Google Scholar
• Jacob, Preminda. 1997. From Co-star to Deity: Popular Representations of Jayalalitha Jayaram. In In Representing the Body: Gender Issues in Indian Art, pp. pp. 140–65. New Delhi: Kali for Women.
   Google Scholar
• Jacob, Preminda. 2009. Celluloid Deities: The Visual Culture of Cinema and Politics in South India. New Delhi: Orient Blackswan.
   Google Scholar
• Jain, Kajri. 2007a. The Efficacious Image: Pictures and Power in Indian Mass Culture. In Picturing the Nation: Iconographies of Modern India, edited by Richard H Davis. pp. 92–116. New Delhi: Orient Longman.
   Google Scholar
• Jain, Kajri. 2007b. Gods in the Bazaar: The Economies of Indian Calendar Art. Durham, NC: Duke University Press.
   Google Scholar
• Kellner, Douglas. 2003. Media Spectacle. New York: Routledge.
   Google Scholar
• Latour, Bruno. 2002. What Is Iconoclash? Or Is There a World Beyond the Image Wars?. In Iconoclash, edited by Peter Weibel & Bruno Latour. pp. 14–37. Cambridge, MA: MIT Press.
   Google Scholar
• Ley, David & Roman Cybriwsky. 1974. Urban Graffiti as Territorial Markers. Annals of the Association of American Geographers, 64(4):491–505. doi: 10.1111/j.1467-8306.1974.tb00998.x
   Web of Science ®Google Scholar
• McKernan, Brian. 2011. Politics and Celebrity: A Sociological Understanding. Sociology Compass, 5(3):190–202. doi: 10.1111/j.1751-9020.2011.00359.x
   Google Scholar
• Messner, Michael A. 2007. The Masculinity of the Governator: Muscle and Compassion in American Politics. Gender and Society, 21(4):461–80. doi: 10.1177/0891243207303166
   Web of Science ®Google Scholar
• Mines, Mattison. 1994. Public Faces, Private Voices: Community and Individuality in South India. Berkeley, CA: University of California Press.
   Google Scholar
• Mirzoeff, Nicholas. 2000. Diaspora and Visual Culture: Representing Africans and Jews. London: Routledge.
   Google Scholar
• Pandian, M. S. S. 1992. The Image Trap: M.G. Ramachandran in Film and Politics. New Delhi: Sage.
   Google Scholar
• Pinney, Christopher. 2004. Photos of the Gods: The Printed Image and Political Struggle in India. New Delhi: Oxford University Press.
   Google Scholar
• Rajagopal, Arvind. 2001. Politics After Television: Religious Nationalism and the Reshaping of the Indian Public. Cambridge: Cambridge University Press.
   Google Scholar
• Ramaswamy, Sumathi. 1998. Passions of the Tongue: Language Devotion in Tamil India, 1891–1970. New Delhi: Munshiram Manoharlal.
   Google Scholar
• Sivathamby, Karthigesu. 1981. The Tamil Film as a Medium of Political Communication. Chennai: New Century Book House.
   Google Scholar
• Spyer, Patricia. 2008. Blind Faith: Painting Christianity in Postconflict Ambon. (Charles Hirschkind and Brian Larkin, Editors). Social Text 96, 26(3):11–38.
   Google Scholar
• Street, John. 1997. Politics and Popular Culture. Philadelphia, PA: Temple University Press.
   Google Scholar
• Thimsen, A. Freya. 2010. Populist Celebrity in the Election Campaigns of Jesse Ventura and Arnold Schwarzenegger. The Velvet Light Trap, 65(1):44–57. doi: 10.1353/vlt.0.0083
   Google Scholar
• Thoraval, Yves. 2000. The Cinemas of India. Delhi: Macmillan India.
   Google Scholar
• Waghorne, Joanna. 2004. Diaspora of the Gods. New York: Oxford University Press.
   Google Scholar
• Widlund, Ingrid. 1993. A Vote for MGR: Transaction and Devotion in South Indian Politics. Uppsala: Uppsala University.
   Google Scholar
• Widlund, Ingrid. 2000. Paths to Power and Patterns of Influence: The Dravidian Parties in South Indian Politics. Acta Universitatis Upsaliensis. Skrifter utgivna av Statsvetenskapliga föreningen i Uppsala. Uppsala, Sweden: Uppsala University.
   Google Scholar
• Younger, P. 2001. Playing Host to Deity: Festival Religion in the South Indian Tradition. Oxford: Oxford University Press.
   Google Scholar