References
- Bell, Catherine. 1992. Ritual Theory, Ritual Practice. New York: Oxford University Press.
- Bijlawan, Radheshyam. 2003. Madhya Himalaya Riyasat mem Gramin Janasangharsom ka Itihas (Riyasat Tehri Garhwal – Dhara and Dandak) (1815–1949) [History of Village Warfare in a Central Himalayan Princely State (Rustling and Ceremonial Protest in the Princely State of Tehri Garhwal) (1815–1949)]. Purola: Bijlawan Prakashan.
- Bissoondath, Neil. 1994. Selling Illusions: The Cult of Multiculturalism in Canada. Toronto: Penguin.
- Bourdieu, Pierre. 1993. The Field of Cultural Production. New York: Columbia University Press.
- Frost, Nicola. 2015. Anthropology and Festivals: Festival Ecologies. Ethnos. doi: 10.1080/00141844.2014.989875
- Geertz, Clifford. 1980. Negara: The Theatre State of Nineteenth Century Bali. Princeton, NJ: Princeton University Press.
- Guha, Ramachandra. 2000. Unquiet Woods: Ecological Change and Peasant Resistance in the Himalaya. Berkeley: University of California Press.
- Hobsbawm, Eric & Terence Ranger (eds.). 1984. The Invention of Tradition. Cambridge: Cambridge University Press.
- Husain, Zakir. 1995. Uttarakhand Movement: The Politics of Identity and Frustration. Bareilly: Prakash Book Depot.
- Juyal, R. 2006. Tham nahi raha awaz ko ruksat karne ka silsila. [There is No Stopping the Process of Silencing the Voice]. Samay Sakshya, 1(3):22–28.
- Kazmi, S.M.A. 2006, May 22. Garhwali Satire Breaks Sales Records No Laughing Matter for Tiwari Govt. Indian Express (Delhi).
- Kumar, Anup. 2011. The Making of a Small State: Populist Social Mobilization and the Hindi Press in the Uttarakhand Movement. Hyderabad: Orient Blackswan.
- Linkenbach, Antje. 2002. Shaking the State by Making a (New) State: Social Movements and the Quest for Autonomy. Sociologus, 1:77–106.
- MacAloon, John J. (ed.). 1984. Rite, Drama, Festival, Spectacle. Rehearsal Toward a Theory of Cultural Performance. Philadelphia, PA: Institute for the Study of Human Issues.
- Mawdsley, Elizabeth. 1997. Nonsecessionist Regionalism in India: The Uttarakhand Separate State Movement. Environment and Planning A, 29:2217–2235. doi: 10.1068/a292217
- Peabody, Norbert. 1997. Inchoate in Kota? Contesting Authority Through a North Indian Pageant-Play. American Ethnologist, 24(3):559–584. doi: 10.1525/ae.1997.24.3.559
- Polit, Karin. 2011. Heritage, Art and Elections. Popular Culture, Ritual and Political Competition in Uttarakhand. In Ritual, Heritage and Identity: The Politics of Culture in a Globalised World, edited by Christiane Brosius and Karin M. Polit. pp. 149–164. London: Routledge.
- Sax, W. 1991. Mountain Goddess: Gender and Politics in a Himalayan Pilgrimage. New York: Oxford University Press.
- Sax, William S. 2002. Dancing the Self. New York: Oxford University Press.
- Tambiah, Stanley J. 1979. A Performative Approach to Ritual. Proceedings of the British Academy, 65:113–169.
- Thoroski, Cynthia. 1997. Adventures in Ethnicity: Consuming Performances of Cultural Identity in Winnipeg's Folklorama. Canadian Folklore Canadien, 19(2):105–112.
- Waterman, Stanley. 1998. Carnivals for the Elites? The Cultural Politics of Arts Festivals. Progress in Human Geography, 22(1):54–74. doi: 10.1191/030913298672233886