Litteratur
- Ahmad, P.J. (1985). Visual art preference studies: A review of contradictions. Visual Arts Research, 11 (2), 100–107.
- Allen, G. (1877). Physiological aesthetics. New York: Appleton.
- Allport, G.W., P.E. Vernon, & G. Lindzey (1960). Study of values. 3rd.ed. Boston: Houghton Mifflin Company.
- Arnheim, R. (1966). Towards a psychology of art: Collected essays. Berkeley: University of California Press.
- Arnheim, R. (1974). Art and visual perception: A psychology of the creative eye. 2nd ed. Berkeley: University of California Press.
- Arnheim, R. (1992). To the rescue of art: Twenty-six essays. Berkeley: University of California Press.
- Benjafield, I. (1985). A review of recent research on the golden section. Empirical Studies of the Arts, 3, 117–134.
- Berenson, B. (1948). Aesthetics and history in the visual arts. New York: Pantheon.
- Berlyne, D.E. (1971). Aesthetics and psychobiology. New York: Appleton-Century-Crofts.
- Berlyne, D.E. (Ed.) (1974). Studies in the new experimental aesthetics: Steps toward an objective psychology of aesthetic appreciation. Washington, D.C.: Hemisphere Publishing Corporation.
- Bezold, W. von (1874). Die Farbenlehre im Hinblick auf Kunst und Kunstgewerk. Braunschweig: G. Estermann.
- Bullough, E. (1907). The modern conception of æsthetics. Reprint. I Elizabeth M. Wilkinson (Ed.), Æsthetics: Lectures and essays, (ss. 1–89). Stanford: Stanford University Press, 1957.
- Bullough, E. (1908). The “perceptive poblem” in the æsthetic appreciation of single colours. British journal of Psychology, 2, 406–463.
- Burt, C. (1945). The psychology of art. I How the mind works, 2nd ed. Cyril Burt (Ed.) London: George Allen and Unwin.
- Buswell, G.T. (1935). How people look at pictures. Chicago: Chicago University Press.
- Chevreul, M.E. (1839). De la loi du contraste simultané des couleurs. Paris: Pitois-Levrault.
- Child, I.L. (1965). Personality correlates of esthetic judgement in college students, journal of Personality, 33, 476–511.
- Collingwood, R.G. (1938). The principles of art. London: Oxford University Press.
- Eysenck, H.J. (1940). The general factor in aesthetic judgements. British Journal of Psychology, 31, 94–102.
- Feasey, L. (1921). Some experiments in aesthetics. British Journal of Psychology, 12, 253–272.
- Fechner, G.T. (1876). Vorschule der Aesthetik. 2 Bände in 1 Band. Leipzig: Breitkopf und Härtel.
- Freud, S. (1910). Eine Kindheitserinnerung des Leonardo da Vinci. I Gesammelte Werke. Band 8, (ss. 128–211). London: Imago Publishing Co., 1943.
- Freud, S. (1914). Der Moses des Michelangelo. I Gesammelte Werke. Band 10, (ss. 172–201). London: Imago Publishing Co., 1946.
- Gardner, H. (1973). The arts and human development: A psychological study of the artistic process. New York: John Wiley & Sons.
- Geiger, M. (1913). Beiträge zur Phänomenologie des ästhetischen Genusses. Jahrbuch für Philosophie und phänomenologische Forchung 1, (2): 567–684.
- Gombrich, E.H. (1961). Art and illusion: A study in the psychology of pictorial representation. 2nd ed. New York: Bollingen Foundation.
- Götz, K.O., A.R. Borisy, R. Lynn & H.J. Eysenck (1979). A new visual aesthetic sensitivity test: I Construction and psychometric properties. Perceptual and Motor Skills, 49: 795–802.
- Hardiman, G.W. & T. Zernich (1977). Preferences for the visual arts: A review of recent studies. Perceptual and Motor Skills, 44, 455–463.
- Katz, E. (1944). Children's preferences for traditional and modern paintings. New York: Bureau of Publications, Teachers College, Columbia University.
- Kiell, N. (1965). Psychiatry and psychology in the visual arts and aesthetics: A bibliography. Madison: University of Wisconsin Press.
- Kris, E. (1944). Art and regression. Transactions of the New York Academy of Science, series II, vol. 6, 236–250.
- Kris, E. (1952). Psychoanalytic exploration in art. New York: International University Press.
- Kris, E. (1953). Psychoanalysis and the study of creative imagination. Reprint in Selected papers of Ernst Kris, (ss. 473–493). New Haven: Yale University Press, 1975.
- Langfeld, H.S. (1920). The aesthetic attitude. New York: Harcourt, Brace & Company.
- Lark-Horovitz, B., H. Lewis, & M. Luca (1973). Understanding children's art for better teaching. 2nd ed. Columbus: Charles E. Merrill.
- Lasher, M.D., J.M. Carroll, & T.G. Bever (1983). The cognitive basis of aesthetic experience. Leonardo, 16, 196–199.
- Lehmann, A. (1884). Farvernes elementære æstetik: En objektiv psykologisk undersøgelse. København: Rudolf Klein.
- Lipps, T. (1903/06). Ästhetik: Psychologie des Schönen und der Kunst. Zwei Bände. Hamburg: Leopold Voss.
- Müller-Freienfels, R. (1922). Psychologie der Kunst: Allgemeine Grundlegung und Psychologie des Kunstgeniessens. Vol. 1. Zweite Auflage. Leipzig Teubner, 1923.
- Neumann, E. (1959). The archetypal world of Henry Moore. Translated from the German by R.F.C. Hull. Princeton: Princeton University Press.
- Neumann, E. (1989). The place of creation: Six essays. Translated from the German by Hildegard Nagel, Eugene Rolfe, Jan van Heurck, and Krishna Winston. Princeton: Princeton University Press.
- Parsons, M.J. (1987). How we understand art: A cognitive developmental account of aesthetic experience. Cambridge: Cambrige University Press.
- Schmerler, B. (1883). Untersuchungen über den Farbencontrast vermittelst rotirender Scheiben. Philosophische Studien, 7, 379–416.
- Segal, H. (1952). A psycho-analytical approach to aesthetics. International Journal of Psycho-Analysis, 33, 196–207.
- Segal, H. (1975). Art and the inner world. Times Literary Supplement, July 18: 800–801.
- Spector, J.J. (1972). The aesthetics of Freud: A study in psychoanalysis and art. New York: Preager Publishers.
- Spranger, E. (1913). Lebensformen: Geisteswissenschaftliche Psychologie und Ethik der Persönlichkeit. Halle: Max Niemeyer.
- Stratton, G.M. (1902). Eye-movements and the aesthetics of visual form. Philosophische Studien, 20, 336–359.
- Valentine, C.W. (1962). The experimental psychology of beauty. London: Methuen.
- Vitz, P.C. (1988). Analog art and digital art: A brain-hemisphere critique of modern painting. I F.H. Farley & R.W. Neperud (Eds.) The foundation of aesthetics, art & art education (ss. 43–86). New York: Praeger.
- Yarbus, A.L. (1967). Eye movements and vision. Translated by Basil Haigh. New York: Plenum Press. Original work published in the Russian 1965.
- Zusne, L. (1970). Visual perception of form. New York: Academic Press.