424
Views
7
CrossRef citations to date
0
Altmetric
Original Research or Treatment Papers

A Characterisation Study on Modern Bronze Sculpture: The Artistic Patinas of Nado Canuti

, , & ORCID Icon
Pages 16-23 | Received 21 Jan 2018, Accepted 21 May 2018, Published online: 19 Jul 2018

References

  • Balta, I. Z., S. Pederzoli, E. Iacob, and M. Bersani. 2009. “Dynamic Secondary Ion Mass Spectrometry and X-ray Photoelectron Spectroscopy on Artistic Bronze and Copper Artificial Patinas.” Applied Surface Science 255: 6378–6385. doi: 10.1016/j.apsusc.2009.02.020
  • Beerkens, L. 2016. “Side by Side: Old and New Standards in the Conservation of Modern Art. A Comparative Study on 20 Years of Modern art Conservation Practice.” Studies in Conservation 61 (2): 12–16. doi:10.1080/00393630.2016.1155336.
  • Beerkens, L., P. t Hoen, Y. Hummelen, V. van Saaze, T. Scholte, and S. Stigter, eds. 2012. The Artist Interview. For Conservation and Preservation of Contemporary Art Guidelines and Practice. Heijningen: Jap Sam Books.
  • Bongiorno, V., S. Campodonico, R. Caffara, P. Piccardo, and M. M. Carnasciali. 2012. “Micro-Raman Spectroscopy for the Characterization of Artistic Patinas Produced on Copper-Based Alloys.” Journal of Raman Spectroscopy 43: 1617–1622. doi: 10.1002/jrs.4167
  • Born, H. 1990. “Patinated and Painted Bronzes: Exotic Technique or Ancient Tradition?” In Small Bronze Sculptures from the Ancient World, 179–196. Malibu: The J. Paul Getty Museum.
  • Casanova Municchia, A., F. Bellatreccia, G. D’ercoli, S. Lo Mastro, I. Reho, M. A. Ricci, and A. Sodo. 2016. “Characterisation of Artificial Patinas on Bronze Sculptures of the Carlo Bilotti Museum (Rome).” Applied Physics A 122: 1021. doi: 10.1007/s00339-016-0551-4
  • Considine, B. 2010. Conserving Outdoor Sculpture. Los Angeles, CA: The Getty Conservation Institute.
  • Conti, C., A. Botteon, M. Bertasa, C. Colombo, M. Realini, and D. Sali. 2016. “Portable Sequentially Shifted Excitation Raman Spectroscopy as an Innovative Tool for in Situ Chemical Interrogation of Painted Surfaces.” The Analyst, doi:10.1039/c6an00753h.
  • Couture-Riget, D. E., P. Jean Sirois, and E. A. Moffatt. 2012. “An Investigation into the Cause of Corrosion on Indoor Bronze Sculpture.” Studies in Conservation 57 (3): 142–163. doi: 10.1179/2047058412Y.0000000004
  • Di Carlo, G., C. Giuliani, C. Riccucci, M. Pascucci, E. Messina, G. Fierro, M. Lavorgna, and G. M. Ingo. 2017. “Artificial Patina Formation onto Copper-Based Alloys: Chloride and Sulphate Induced Corrosion Processes.” Applied Surface Science, doi:10.1016/j.apsusc.2017.01.080.
  • Drysdale, C. 2014. “Combining Chemistry and Artistry: Synthesis and Identification of Artistic Copper Patinas Using Raman Spectroscopy.” Minnesota Academy of Science Journal of Student Research 1: 1–11.
  • Frost, R. L., W. Martens, J. T. Kloprogge, and P. A. Williams. 2002. “Raman Spectroscopy of the Basic Copper Chloride Minerals Atacamite and Paratacamite: Implications for the Study of Copper, Brass and Bronze Objects of the Archaeological Significance.” Journal of Raman Spectroscopy 33: 801–806. doi: 10.1002/jrs.921
  • Gianni, L., A. Adriaens, M. Cavallini, S. Natali, V. volpe, and L. Zortea. 2014. “Reflectance Curves and CIE L*a*b* Parameter to Describe Patina Characteristics and Corrosion Mechanism on Bronze Alloy.” Access March 4, 2018. https://biblio.ugent.be/publication/5780786/file/5780794.
  • Hayez, V., V. Costa, J. Guillaume, H. Terryn, and A. Hubin. 2005. “Micro-Raman Spectroscopy Used for Study of Corrosion Products on Copper Alloys: Study of the Chemical Composition of Artificial Patinas Used for Restoration Purposes.” The Analyst 130: 550–556. doi: 10.1039/b419080g
  • Hayez, V., T. Segato, A. Hubin, and H. Terryn. 2006. “Study of Copper Nitrate-Based Patinas.” Journal of Raman Spectroscopy 37: 1211–1220. doi: 10.1002/jrs.1591
  • Hughes, R. 1993. ‘Artificial Patination’ in Metal Plating and Patination: Cultural, Technical and Historical Developments, 1–18. Oxford: Butterworth-Heinemann.
  • Hughes, R., and M. Rowe. 1991. The Colouring, Bronzing and Patination of Metals. London: Thames & Hudson.
  • Kosec, T., P. Ropret, and A. Legat. 2012. “Raman Investigation of Artificial Patinas on Recent Bronze-Part II: Urban Rain Exposure.” Journal of Raman Spectroscopy 43: 1587–1595. doi: 10.1002/jrs.4124
  • Lisowska-Oleksiak, A., A. P. Nowak, M. Wilamowska, M. Sikora, W. Szczerba, and Cz. Kapusta. 2010. “Ex Situ XANES, XPS and Raman Studies of Poly (3,4-ethylenedioxythiophene) Modified by Iron Hexacyanoferrate.” Synthetic Metals 160: 1234–1240. doi: 10.1016/j.synthmet.2010.03.015
  • Lucidi, F. 1991. Fonderia Artistica a Cera Persa: Calchi, Fusione, Patina, Conchiglia, Ceramica. Milan: Hoepli.
  • Mercalli, M. 2004. “Storia del Concetto di Patina. Riflessioni Teoriche Intorno al Restauro dei Manufatti.” In Bronzo Esposti all’Aperto in Monumenti in Bronzo all’Aperto. Esperienze di Conservazione a Confronto, edited by P. Letardi, 45–52. Florence: Nardini Editore.
  • Piccardo, P., B. Mille, et al. 2007. “Tin and Copper Oxides in Corroded Archaeological Bronze.” In Corrosion of Metallic Heritage Artefacts – Investigation, Conservation and Prediction for Long-Term Behaviour, edited by P. Dillmann, 239–262. Cambridge: Woodhead Publishing Limited.
  • Ropret, P., and T. Kosec. 2012. “Raman Investigation of Artificial Patinas on Recent Bronze – Part I: Climatic Chamber Exposure.” Journal of Raman Spectroscopy 43: 1578–1586. doi: 10.1002/jrs.4068
  • Rosales, B., R. Vera, and G. Moriena. 1999. “Evaluation of the Protective Properties of Natural and Artificial Patinas on Copper. Part I. Patinas Formed by Immersion.” Corrosion Science 41: 625–651. doi: 10.1016/S0010-938X(98)00108-5
  • Scott, D. A. 1990. “Bronze Disease: A Review of Some Chemical Problems and the Role of Relative Humidity.” Journal of the American Institute for Conservation 29: 193–206. doi: 10.2307/3179583
  • Scott, D. A. 2002. Copper and Bronze in Art: Corrosion, Colorants and Conservation. Los Angeles, CA: Getty Publication.
  • Weil, P. D. 2004. “Patina from the Historical-Artistic Point of View.” In Monumenti in Bronzo all’Aperto. Esperienze di Conservazione a Confronto, edited by P. Letardi, 31–42. Florence: Nardini Editore.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.