El Beso de la Mujer Araña: Norm and Deviance in the Fiction/as the Fiction

Works Cited

• Alsina Jean. “El beso de la mujer araña de Manuel Puig como relato: Algunas sugerencias.” Organizaciones textuales, 279–85.
   Google Scholar
• Bacarisse Pamela. The Necessary Dream: A Study of the Novels of Manuel Puig. Totowa, NJ: Barnes and Noble, 1988.
   Google Scholar
• Barradas Efraín. “Notas sobre notas: El beso de la mujer araña.” Revista de Estudios Hispánicos [Río Piedras] 6 (1979): 177–82.
   Google Scholar
• Barthes Roland. S/Z. Trans. Miller Richard. New York: Hill and Wang, 1974. Trans. of S/Z. 1970.
   Google Scholar
• Benstock Shari. “At the Margin of Discourse: Footnotes in the Fictional Text.” PMLA 98.2 (1983): 204–25.
   Google Scholar
• Bordwell David, Staiger Janet, and Thompson Kristin. The Classical Hollywood Cinema: Film Style and Mode of Production to 1960. New York: Columbia UP, 1985.
   Google Scholar
• Brushwood John S. La novela hispanoamericana del siglo XX: Una vista panorámica. Trans. Williams Raymond L.. Mexico: Fondo de Cultura Económica, 1984. Trans. of The Spanish American Novel: a Twentieth Century Survey. 1975.
   Google Scholar
• Chatman Seymour. Story and Discourse: Narrative Structure in Fiction and Film. Ithaca: Cornell UP, 1978. Cornell paperbacks, 1983.
   Google Scholar
• Christ Ronald. “An Interview with Manuel Puig.” Partisan Review 44 (1977): 52–61.
   Google Scholar
• Coddou Marcelo. “Seis preguntas a Manuel Puig sobre su última novela: El beso de la mujer araña.” The American Hispanist 2.18 (1977): 12–13.
   Google Scholar
• Débax Michelle. “Autorepresentación y autoreferencialidad en un texto narrativo: El beso de la mujer araña de Manuel Puig.” Organizaciones textuales, 287–94.
   Google Scholar
• Derrida Jacques. “Structure, Sign and Play in the Discourse of the Human Sciences.” The Languages of Criticism and the Sciences of Man: The Structuralist Controversy. Ed. Macksey Richard and Donado Eugenio. Baltimore: The Johns Hopkins UP, 1970. 247–72.
   Google Scholar
• Echavarren Roberto. “El beso de la mujer araña y las metáforas del sujeto.” Revista Iberoamericana 44 (1978): 65–75.
   Web of Science ®Google Scholar
• Farber Manny. “Val Lewton: Unorthodox Artistry at RKO.” The Nation (April 14, 1951). Rpt in McCarthy, Kings of the B, 105–08.
   Google Scholar
• Forster E. M. Aspects of the Novel (1927). New York: Harcourt Brace Harvest Books, 1954.
   Google Scholar
• Genette Gérard. Figures III. Paris: Le Seuil, 1972.
   Google Scholar
• Karetnikova Inga and Barber Susanna. “Cinematic Qualities in the Novel Kiss of the Spider Woman.” Literature Film Quarterly 15.3 (1987): 164–68.
   Web of Science ®Google Scholar
• Kerr Lucille. Suspended Fictions: Reading Novels by Manuel Puig. Urbana, IL: U of Illinois P, 1987.
   Google Scholar
• Masiello Francine R. “Jail House Flicks: Projections by Manuel Puig.” Symposium 32 (1978): 15–24.
   Google Scholar
• McCarthy Todd and Flynn Charles, Eds., Kings of the Bs: Working within the Hollywood System. Toronto: Clarke, Irwin and Co. Limited, 1975.
   Google Scholar
• Merrim Stephanie. “For a New (Psychological) Novel in the Works of Manuel Puig.” Novel 17.2 (Winter 1984): 141–57.
   Web of Science ®Google Scholar
• Miller Don. “B” Movies. New York: Curtis Books, 1973.
   Google Scholar
• New York Times Directory of the Film. New York: Arno Press, 1974.
   Google Scholar
• Oliveira Filho, de José Odil. “A Voz do Narrador em O Beijo da Mulher Aranha.” Revista de Letras 24 (1984): 53–60.
   Google Scholar
• Organizaciones textuales: (Textos hispánicos: Actas del III Simposio del Séminair d'Etudes Littéraires de l'Université de Toulouse-Le Mirait). Toulouse: U de Toulouse-Le Mirail, 1981.
   Google Scholar
• Pellon Gustavo. “Manuel Puig's Contradictory Strategy: Kitsch Paradigms versus Paradigmatic Structure in El beso de la mujer araña and Pubis angelical.” Symposium 37.3 (1983): 186–201.
   Google Scholar
• Pequeño Larousse Ilustrado. Paris: Larousse, 1964.
   Google Scholar
• Perrin Annie and Zmantar Françoise. “La telaraña modelo de organizacion textual en El beso de la mujer araña de Manuel Puig: Elementos para una hifología del texto.” Organizaciones textuales, 263–69.
   Google Scholar
• Puig Manuel. El beso de la mujer araña. Barcelona: Seix Barral, 1976.
   Google Scholar
• Roffé Reina. “Manuel Puig: Del ‘Kitsch’ a Lacan.” Espejo de escritores: Entrevistas con Borges, Cortázar, Fuentes, Goytisolo, Onetti, Puig, Rama, Rulfo, Sánchez, Vargas Llosa. Pref. Reina Roffé. Hanover, NH: Ediciones del Norte, 1985.
   Google Scholar
• De Sloan Villo. “Manuel Puig's Kiss of the Spider Woman as Post-Literature.” International Fiction Review 14.1 (1987): 23–26.
   Google Scholar
• Southard David R. “Betrayed by Manuel Puig: Reader Deception and Anti-Climax in His Novels.” Latin American Literary Review 5.9 (1976): 22–28.
   Google Scholar
• Telotte J. P. Dreams of Darkness: Fantasy and the Films of Val Lewton. Champaign, IL: Illinois UP, 1985.
   Google Scholar
• Tittler Jonathan. “Order, Chaos, and Re-Order: The Novels of Manuel Puig.” Kentucky Romance Quarterly 30.2 (1983): 187–201.
   Web of Science ®Google Scholar
• Vanderlynden Anne-Marie. “Hacia una semiología de los discursos referidos en El beso de la mujer araña.” Organizaciones textuales, 271–77.
   Google Scholar
• Weber Frances Wyers. “Manuel Puig at the Movies.” Hispanic Review 49 (1981): 163–81.
   Web of Science ®Google Scholar