Works cited
- “A History of Pockets.” Victoria and Albert Museum, 2016. http://www.vam.ac.uk/content/articles/a/history-of-pockets/. Accessed 7 Sep. 2020.
- Braider, Christopher. Indiscernible Counterparts: The Invention of the Text in French Classical Drama. U of North Carolina P, 2017.
- Burman, Barbara, and Ariane Fennetaux. The Pocket. A Hidden History of Women’s Lives. Yale UP, 2019.
- Call, Michael. “Comedic Wars, Serious Moralists: Genre, Gender, and Molière's ‘L'école Des Femmes.” Yale French Studies, no. 130, 2016, pp. 52–64.
- Carson, Susannah. “L’Économique de la mode: Costume, Conformity and Consumerism in Le Mercure galant.” Seventeenth-Century French Studies, vol. 27, no. 1, 2005, pp. 133–46. doi: 10.1179/026510605792943443.
- Crowston, Claire Haru. Credit, Fashion, Sex: Economies of Regard in Old Regime France. Duke UP, 2013.
- Dandrey, Patrick. La Guerre Comique. Molière et la querelle de L’École des femmes. Hermann, 2012.
- Davis, Elizabeth. “Habit de qualité: Seventeenth-Century French Fashion Prints as Sources for Dress History.” Dress. The Journal of the Costume Society of America, vol. 40, no. 1, 2014, pp. 117–43.
- DeJean, Joan. The Essence of Style. How the French Invented High Fashion, Fine Food, Chic Cafés, Style, Sophistication, and Glamour. Free Press, 2007.
- Dock, Stephen. Costume and Fashion in the Plays of Jean-Baptiste Poquelin Molière. A Seventeenth-Century Perspective. Slatkine, 1992.
- Festa, Lynn. Fiction without Humanity. Person, Animal, Thing in Early Enlightenment Literature and Culture. U of Pennsylvania P, 2019.
- Festa, Lynn. “Things with Kid Gloves.” Organic Supplements. Bodies and Things of the Natural World, 1580-1790, edited by Miriam Jacobson and Julie Park, U of Virginia P, 2020, pp. 128–52.
- Fisher, Will. Materializing Gender in Early Modern English Literature and Culture. Cambridge UP, 2006.
- Fontaine, Laurence. “Makeshift Women and Capability in Preindustrial European Towns.” Female Agency in the Urban Economy: Gender in European Towns, 1640-1830, edited by Deborah Simonton and Anne Montenach, Routledge, 2013, pp. 56–72.
- Freud, Sigmund. Dora: An Analysis of a Case of Hysteria. Touchstone, 1997.
- Hogg, Chloe. “Pour une esthetique des tablettes: Clélie et les tablettes a écrere au XVIIe siècle.” Seventeenth-Century French Studies, vol. 28, no. 1, 2006, pp. 117–33. doi: 10.1179/026510606792975276.
- Jacobson, Miriam, and Julie Park. “Introduction.” Organic Supplements. Bodies and Things of the Natural World, 1580-1790, edited by Miriam Jacobson and Julie Park, U of Virginia P, 2020, pp. 1–26.
- Johnson, Barbara. “Teaching Ignorance: L'Ecole Des Femmes.” Yale French Studies, no. 63, 1982, pp. 165–82. doi: 10.2307/2929838.
- Jones, Ann Rosalind, and Peter Stallybrass. Renaissance Clothing and the Materials of Memory. Cambridge UP, 2000.
- Jones, Jennifer. Sexing La Mode: Gender, Fashion and Commercial Culture in Old Regime France. Oxford UP, 2004.
- La Bruyère, Jean de. Les Charactères. 1688. GF Flammarion, 1965.
- McClure, Ellen. The Logic of Idolatry in Seventeenth-Century French Literature. D.S. Brewer, 2020.
- Molière. Oeuvres completes. Édition dirigée par Georges Forestier avec Claude Bourqui. NRF Gallimard, 2010.
- Newman, Karen. Cultural Capitals. Early Modern London and Paris. Princeton UP, 2007.
- Nicholson, Kathleen. “Fashioning Fashionability.” Fashion Prints in the Age of Louis XIV. Interpreting the Art of Elegance, edited by Kathryn Norberg and Sandra Rosenbaum, Texas Tech UP, 2014, p. 15–54.
- Norberg, Kathryn, and Sandra Rosenbaum, editors. Fashion Prints in the Age of Louis XIV. Interpreting the Art of Elegance. Texas Tech UP, 2014.
- Norman, Larry. The Public Mirror: Molière and the Social Commerce of Depiction. U of Chicago P, 1999.
- Peters, Jeffrey N. The Written World. Space, Literature and the Chorological Imagination in Early Modern France. Northwestern UP, 2018.
- Ribeiro, Aileen. Dress in Eighteenth-Century Europe. Yale UP, 2002.
- Sopher, Andrew. The Stage Life of Props. U of Michigan P, 1998.
- Steinberger, Deborah. “Le Mercure Galant and Its Student Body: Donneau de Visé’s Inclusive Pedagogy.” Cahiers du dix-septième, vol. 17, 2016, pp. 41–56.
- Tamer, Bahij. “The Crux of Luxury: Marketing Wonder under the Sun King.” Diss. Harvard University, in progress.
- Tétart-Vittu, Françoise. “The Fashion Print: An Ambiguous Object.” Fashion Prints in the Age of Louis XIV. Interpreting the Art of Elegance, edited by Kathryn Norberg and Sandra Rosenbaum, Texas Tech UP, 2014, p. 3–14.
- Thépaut-Cabasset, Corinne. “A Glittering Reputation: Gaultier’s Retailing Innovations in Seventeenth-Century Paris.” Fashioning the Early Modern: Dress, Textiles, and Innovation in Europe, 1500-1800, edited by Evelyn Welch, Oxford UP, 2017, p. 169–85.
- Unsworth, Rebecca. “Hands Deep in History: Pockets in Men and Women’s Dress in Western Europe, c. 1480-1630.” Costume, vol. 51, no. 2, 2017, pp. 148–70. doi: 10.3366/cost.2017.0022.
- Vincent, Monique. Donneau de Visé et ‘Le Mercure galant. Aux Amateurs des Livres, 1987.
- Welch, Evelyn, and Juliet Claxton. “Easy Innovation in Early Modern Europe.” Fashioning the Early Modern: Dress, Textiles, and Innovation in Europe, 1500-1800, edited by Evelyn Welch, Oxford UP, 2017, p. 87–109.