Conservation

References

• B. Lemire, ‘Stanley Chapman: A Guiding Hand over Two Decades: A Tribute to the Out-Going Editor of Textile History’, Textile History, 34, no. 1 (2003), p. v.
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• K. G. Ponting and N. B. Harte, ‘A Review of Periodical Literature on Textile History Published 1975–76’, Textile History, 8, no. 1 (1977), p. 170.
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• Textile History appeared as a single annual volume from 1968 to 1981. Since 1982, each volume has had two issues.
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• Examples include M. L. Ryder and T. Gabra-Sanders, ‘The Application of Microscopy to Textile History’, Textile History, 16, no. 2 (1985), pp. 123–40;
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  N. Indictor, R. J. Koestler, C. Blair and A. E. Wardwell, ‘The Evaluation of Metal Wrappings from Medieval Textiles Using Scanning Electron Microscopy-Energy Dispersive X-Ray Spectrometry’, Textile History, 19, no. 1 (1988), pp. 3–22.
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• K. G. Ponting, ‘Editorial’, Textile History, 3 (1972), p. 1.
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• S. Landi, Review of Textile Conservation by J. E. Leene, Textile History, 4 (1973), p. 148.
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• L. Parry, Review of Caring for Textiles by K. Finch and G. Putnam, Textile History, 10 (1979), p. 243.
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• J. Herald, Review of La Conservation des Textiles Anciens by SFIIC, Textile History, 27, no. 2 (1996), p. 240.
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• S. Landi, Review of ‘Faui Come Nuovi’: Restauri di Oggetti d'arte Applicata el Museo Poldi Pezzoli by A. M. Molfino, Textile History, 17, no. 2 (1986), p. 216.
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• Herald, Review, p. 240.
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• P. Ewer, Review of Tapestry Conservation: Principles and Practice by F. Lennard and M. Hayward, Textile History, 38, no. 1 (2007), p. 125.
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• D. Jenkins, ‘Textile History: 40 Years’, Textile History, 39, no. 1 (2008), p. 12.
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• S. Chapman and D. King, ‘Textile Conservation in America’, Textile History, 13, no. 2 (1982), p. 139.
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• S. Chapman and D. King, ‘Editorial’, Textile History, 16, no. 1 (1985), p. 3.
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• ICOM-CC, ‘Terminology to Characterize the Conservation of Tangible Cultural Heritage’, http://www.icom-cc.org/242/about/terminology-for-conservation/#.XCtBxs3gpdg (accessed 2 November 2018).
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• M. M. Brooks, ‘Sharing Conservation Ethics, Practice and Decision-Making with Museum Visitors’, in The Routledge Companion to Museum Ethics: Redefining Ethics for Twenty-First Century Museums, ed. J. Marstine (London: Routledge, 2011), p. 332.
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• D. Eastop, ‘Conservation as Material Culture’, in The Handbook of Material Culture, ed. C. Tilley, W. Keane, S. Küchler, M. Rowlands and P. Spyer (London: Sage Publications, 2006), pp. 516–33.
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• S. Levitt, Review of Fabric of an Exhibition by E. von Baeyer, L. Leclerc and S. Georgiev, Textile History, 30, no. 1 (1999), p. 124.
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• R. Hall and J. Barnett, ‘A Fifth Dynasty Funerary Dress in the Petrie Museum of Egyptian Archaeology: Its Discovery and Conservation’, Textile History, 16, no. 1 (1985), p. 6.
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• M. Kite, ‘The Conservation of the Jesse Cope’, Textile History, 20, no. 2 (1989), p. 235.
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• A. Javér, D. Eastop and R. Janssen, ‘A Sprang Cap Preserved on a Naturally Dried Egyptian Head’, Textile History, 30, no. 2 (1999), p. 151.
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• L. Melville Smith, ‘The Exception to the Rule: Conservation of a Tapestry Fragment’, Textile History, 15, no. 2 (1984), pp. 209–18.
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• P. H. Rem, ‘Restoration of the State Bed Acquired by Het Loo Palace and Intended for the Bedchamber of King Stadholder William III’, Textile History, 31, no. 2 (2000), pp. 150–62.
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• M. Hayward, ‘Repositories of Splendour: Henry VIII’s Wardrobes of the Robes and Beds’, Textile History, 29, no. 2 (1998), p. 152.
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• M. Ponsonby, ‘Textiles and Time: Reactions to Aged and Conserved Textiles in Historic Houses Open to the Public in England and the USA’, Textile History, 42, no. 2 (2011), p. 214.
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• R. Hall, ‘Garments in the Petrie Museum of Egyptian Archaeology’, Textile History, 13, no. 1 (1982), pp. 39–40.
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• For analysis of this ‘material turn’, see T. Bennett and J. Patrick, Material Powers: Cultural Studies, History and the Material Turn (London and New York: Routledge, 2010) and
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  D. Hicks, ‘The Material-Cultural Turn: Event and Effect’, in The Oxford Handbook of Material Culture Studies, ed. D. Hicks and M. C. Beaudry (Oxford: Oxford University Press, 2010), pp. 25–98.
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• L. C. Tonkin, ‘Insights into the Production of Opus Anglicanum: An Object Analysis of Two Panels from the Pillar Orphreys on the Whalley Abbey Altar Frontal’, Textile History, 43, no. 1 (2012), p. 84.
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• A. Harrison and K. Gill, ‘An Eighteenth-Century Detachable Pocket and Baby’s Cap Found Concealed in a Wall Cavity: Conservation and Research’, Textile History, 33, no. 2 (2001), p. 184.
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• A. Carter, Review of Textile Conservation: Advances in Practice by F. Lennard and P. Ewer, Textile History, 42, no. 1 (2011), p. 133.
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• In chronological order, the following, not including book, conference and exhibition review editors and editors for special issues, have served as editors of Textile History: Ken Ponting, Donald King, Stanley Chapman, Santina Levey, Lesley Miller, Beverly Lemire, Katrina Honeyman, Mary M. Brooks, Pat Hudson, Laura Ugolini, Kaori O’Connor, Marina Moskowitz and Vivienne Richmond.
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