References
- Abaza, M. 2016. “The Field of Graffiti and Street Art in post-January 2011 Egypt.” In Routledge Handbook of Graffiti and Street Art, edited by J.I. Ross, 318–333. London and New York: Routledge.
- Anderson, S., and W. Verplanck. 1983. “When Walls Speak, What Do They Say?” The Psychological Record 33 (3): 341–359.
- Baird, J.A., and C. Taylor. 2016. “Ancient Graffiti.” In Routledge Handbook of Graffiti and Street Art, edited by J.I. Ross, 17–26. London and New York: Routledge.
- Ballesta, J., and Á. Rodríguez Gallardo. 2008. “Camposancos: una ‘imprenta’de los presos del franquismo.” Complutum 19 (2): 197–211.
- Benefiel, R. 2010. “Dialogues of Ancient Graffiti in the House of Maius Castricius in Pompeii.” American Journal of Archaeology 114 (1): 59–101. doi:https://doi.org/10.3764/aja.114.1.59.
- Booth, K. 2020. “The Only Thing I Can Draw.” Traditional Paint News 4 (2): 21–28.
- Bopearachchi, O., and K. Rajan. 2002. “Graffiti Marks of Kodumanal (India) and Ridiyagama (Sri Lanka)—a Comparative Study.” Man and Environment XXVII 27 (2): 97–106.
- Borck, L. 2016. “Graffiti bombing in U.S. National Parks: Or Vandalism, Rock Art, and Banksy.“ Access date February 7 2022. https://www.sapiens.org/culture/graffiti-bombing-in-u-s-national-parks Sapiens.
- Boulton, D. 1967. Objection Overruled. London: Dales Historical Monographs. 2nd. Republished in revised edition in 2014 by Dales Historical Monographs and the Friends’ Historical Society.
- Breuil, H., and L. Capitan. 1901. “Une nouvelle grotte avec figures peintes sur les parois à l’époque paléolithique.” Académie des Sciences Compte rendu 133: 478–480.
- Burnham, K. 2014. The Courage of Cowards: The Untold Stories of the First World War Conscientious Objectors. Barnsley: Pen and Sword.
- Burton, J., and M. Farrell. 2013. ““Life in Manzanar Where There Is a Spring Breeze”: Graffiti at a World War II Japanese American Internment Camp.” In Prisoners of War: Archaeology, Memory and Heritage of 19th and 20th Century Mass Internment, edited by H. Mytum and G. Carr, 239–269. New York: Springer.
- Casella, E. 2001. “To Watch or Restrain: Female Convict Prisons in Nineteenth-Century Tasmania.” International Journal of Historic Archaeology 5: 45–72. doi:https://doi.org/10.1023/A:1009545209653.
- Castleman, C. 1984. Getting Up: Subway Graffiti in New York. Mass.: MIT Press.
- Champion, M. 2015. Medieval Graffiti: The Lost Voices of England’s Churches. London: Random House.
- Chippindale, C., and P.S.C. Taçon. 1998. The Archaeology of Rock-Art. Cambridge, UK, and New York, NY: Cambridge University Press.
- Clarke, A., U. Frederick, and P. Hobbins. 2017. “‘No Complaints’: Counter-Narratives of Immigration and Detention in Graffiti at North Head Immigration Detention Centre, Australia 1973–76.” World Archaeology 49 (3): 404–422. doi:https://doi.org/10.1080/00438243.2017.1334582.
- Cocroft, W., D. Devlin, J. Schofield, and R.J.C. Thomas. 2006. War Art: Murals and Graffiti–Military Life, Power and Subversion. York: Council for British Archaeology.
- Cody, L. 2003. “‘Every Lane Teems with Instruction, and Every Alley Is Big with Erudition’: Graffiti in Eighteenth-Century London.” In The Streets of London, edited by T. Hitchcock and H. Shore, 92–111. London: Rivers Oram Press.
- Eaton, H. 1918. “Thoughts & Experiences during the Great War.” Photocopy of unpublished MS, held at Peace Pledge Union Archive.
- Ellsworth-Jones, W. 2008. We Will Not Fight, the Untold Story of the First World War’s Conscientious Objectors. London: Aurum.
- English Heritage. 2020. Cell Block. English Heritage Booklet.
- English Heritage. (n.d.a). “First World War conscientious objectors at Richmond Castle.” Accessed 10 March 21. https://www.english-heritage.org.uk/visit/places/richmond-castle/history-and-stories/richmond-sixteen/
- English Heritage. (n.d.b). “The Richmond Castle Cell block project.” Accessed 10 March 21. https://www.english-heritage.org.uk/visit/places/richmond-castle/richmond-graffiti/cell-block-project/
- Frederick, U. 2009. “Revolution Is the New Black: Graffiti/Art and Mark-making Practices.” Archaeologies: Journal of the World Archaeological Congress 5: 210–237. doi:https://doi.org/10.1007/s11759-009-9107-y.
- Frederick, U., and S. O’Connor. 2009. “Wandjina, Graffiti and Heritage: The Power and Politics of Enduring Imagery.” Humanities Research XV (2). doi:https://doi.org/10.22459/HR.XV.02.2009.10.
- Gaudie, N., 1916. “Diaries of Norman Gaudie.” [Diary] Held at: University of Leeds. Liddle/ WW1/ CO/ 038
- Goodall, J. 2016. Richmond Castle and Easby Abbey. English Heritage Guidebooks. Printed in England by Geoff Neal Group.
- Halsey, M., and A. Young. 2006. “Our Desires are Ungovernable: Writing Graffiti in Urban Space.” Theoretical Criminology 10 (3): 275–306. doi:https://doi.org/10.1177/1362480606065908.
- Houlbrook, C. 2021. Unlocking the Love-Lock: The History and Heritage of a Contemporary Custom. New York and Oxford: Berghahn.
- Kramer, A. 2014. Conscientious Objectors of the First World War: A Determined Resistance. Barnsley: Pen and Sword.
- Leroi-Gourhan, A. 1967. “Treasures of Prehistoric Art.” Translated from the French by N Guterman. New York: Abrams.
- Martin, F. 2016. “American Indian Graffiti.” In Routledge Handbook of Graffiti and Street Art, edited by J.I. Ross, 124–136. London and New York: Routledge.
- McAtackney, L. 2016. “Graffiti Revelations and the Changing Meanings of Kilmainham Gaol in (Post) Colonial Ireland.” International Journal of Historical Archaeology 20 (3): 492–505. doi:https://doi.org/10.1007/s10761-016-0355-4.
- McMahon Flatt, J.M. 2018. The Ghosts of the Great War: Reflections on Belgium. iUniverse.
- Mitman, T. 2018. The Art of Defiance: Graffiti, Politics and the Reimagined City in Philadelphia. Chicago: Intellect Books.
- Obłuski, A., and J. Maczuga. 2021. “Pictorial Graffiti from the Ghazali Northern Church, Sudan: An Overview.” Journal of African Archaeology 19:187–204. doi:https://doi.org/10.1163/21915784-20210014. published online ahead of print 2021.
- Palmer, R. 2016a. “Religious Colonialism in Early Modern Malta: Inquisitorial Imprisonment and Inmate Graffiti.” International Journal of Historical Archaeology 20 (3): 548–561. doi:https://doi.org/10.1007/s10761-016-0359-0.
- Palmer, R. 2016b. “The Battle for Public Space along the Mapocho River, Santiago de Chile, 1964-2014.” In Routledge Handbook of Graffiti and Street Art, edited by J.I. Ross, 258–271. London and New York: Routledge.
- Peteet, J. 2016. “Wall Talk: Palestinian Graffiti.” In Routledge Handbook of Graffiti and Street Art, edited by J.I. Ross, 334–344. London and New York: Routledge.
- Ralph, J. 2014. “Graffiti Archaeology.” In Encyclopedia of Global Archaeology, edited by C. Smith. 3102–3107. New York, NY: Springer . doi:https://doi.org/10.1007/978-1-4419-0465-2_551.
- Ross, P. 2020. A Tomb with A View: The Stories and Glories of Graveyards. London: Headline.
- Rukwaro, I.W., and S.M. Maina. 2020. “Graffiti Artists in East Africa.” Africa Habitat Review Journal 14 (2): 1869–1885. http://uonjournals.uonbi.ac.ke/ojs/index.php/ahr/article/view/534/553
- Samson, A., L. Wrapson, C. Cartwright, D. Sahy, R. Stacey, and J. Cooper. 2017. “Artists before Columbus: A Multi-method Characterization of the Materials and Practices of Caribbean Cave Art.” Journal of Archaeological Science 88: 24–36. doi:https://doi.org/10.1016/j.jas.2017.09.012.
- Sanghera, S. 2021. Empireland: How Imperialism Has Shaped Modern Britain. London: Viking Press.
- Snyder, G. 2009. Graffiti Lives: Beyond the Tag in New York’s Urban Underground. New York and London: New York University Press.
- Waldner, L., and B. Dobratz. 2013. “Graffiti as a Form of Contentious Political Participation.” Sociology Compass 7 (5): 377–389. doi:https://doi.org/10.1111/soc4.12036.
- Walker, P., A. Allegretti, and B. Quinn. 2021. “Anger Grows at Offer of 1% Pay Rise for NHS Staff.” The Guardian, 6 March 2021. https://www.theguardian.com/society/2021/mar/05/anger-grows-at-offer-of-1-pay-rise-for-nhs-staff
- Wilson, J. 2008. Prison: Cultural Memory and Dark Tourism. New York: Peter Lang.
- Yamakoshi, H., and Y. Sekine. 2016. “Graffiti/street Art in Tokyo and Surrounding Cities.” In Routledge Handbook of Graffiti and Street Art, edited by J.I. Ross, 345–356. London and New York: Routledge.