Works Cited
- Allara, Pamela. “‘Mater’ of Fact: Alice Neel’s Pregnant Nudes.” American Art 8.2 (Spring 1994): 6–31. Print.
- Betterton, Rosemary. “Maternal Bodies in Visual Culture.” Web. 9 Sept. 2012.
- Betterton, Rosemary. “Promising Monsters: Pregnant Bodies, Artistic Subjectivity, and Maternal Imagination.” Hypatia 21.1 (Winter 2006): 80–100. Print.
- Bowers, Susan R. “The Witch’s Garden: The Feminist Grotesque.” Sexuality, the Female Gaze, and the Arts. Ed. Ronald Dotterer and Susan R. Bowers. 19–36. Selinsgrove: Susquehanna UP, 1992. Print.
- Cui, Shuqin. “Stanley Kwan’s Center Stage: The (Im)possible Engagement between Feminism and Postmodernism.” Cinema Journal 39.4 (2000): 60–80. Print.
- Feng, Jiali. “Wubian de chayi Yonghend de nuxing (Forever Different and Eternal Female).” Web. 19, Sept. 2012.
- Friedman, Susan Stanford. “Creativity and Childbirth Metaphor: Gender Difference in Literary Discourse.” Feminist Studies 13.1 (Spring 1987): 51. Print.
- Guo, Dalong. “The Naked Feminism.” Web. 19 Sept. 2012.
- Hay, John. “The Body Invisible in Chinese Art?” Body, Subject and Power in China. Ed. Angela Zito and Tani E. Barlow. 42–77. Chicago: U of Chicago P, 1994. Print.
- Hutcheon, Linda. The Politics of Postmodernism. New York: Routledge, 1989. Print.
- Jullien, Francois. The Impossible Nude: Chinese Art and Western Aesthetics . Trans. Maev de la Guardia. Chicago: U of Chicago P, 2000. Print.
- Kraus, Richard Curt. The Party and the Arty in China: The New Politics of Culture. Oxford: Rowman & Littlefield, 2004. Print.
- Li, Xianting. “Some More Thoughts on the Raison d’etre of Gaudy Art.” Chinese Type of Contemporary Art. 25 March, 1998. Web. 19 Sept. 2012.
- Liss, Andrea. Feminist Art and the Maternal. Minneapolis: U of Minnesota P, 2009. Print.
- Matthews, Sandra and Laura Wexler. Pregnant Pictures. London; New York: Routledge, 2000. Print.
- Meng, Yue, “Female Images and National Myth.” Gender Politics in Modern China. Ed. Tani E. Barlow. 118–36. Durham: Duke UP, 1993. Print.
- Mitchell, W. J. T. “Word and Image.” Critical Terms for Art History. Eds. Robert Nelson and Richard Shiff. 51–61. Chicago: U of Chicago P, 1996. Print.
- Mitchell, William. The Reconfigured Eye: Visual Truth in the Post-Photographic Era. Cambridge: MIT Press, 1992. Print.
- Mullin, Amy. “Pregnant Bodies, Pregnant Minds.” Feminist Theory 3.1 (2002): 27–44. Print.
- Tyler, Imogen. “Reframing Pregnant Embodiment.” Transformations: Thinking Through Feminism. London: Routledge, 2000. Print.
- Wells, Liz. Ed. The Photography Reader. London: Routledge, 2003. Print.
- Wu, Hung and Christopher Phillips. Between Past and Future: New Photography and Video from China. Smart Museum of Art, University of Chicago; International Center of Photography, New York; Steidl, Gottingen, Germany, 2004. Print.
- Wu, Hung, Transience: Chinese Experimental Art at the End of the Twentieth Century. Chicago: U of Chicago P, 1999. Print.
![Supercharge Your Next Research Paper: Research and write your next paper with Jenni AI.]({"type":"image" , "src" : "/sda/112447/MPU-L1HU.png"})