https://orcid.org/0000-0002-4227-2392
Works cited
- Ausherman, Maria Elizabeth. The Photographic Legacy of Frances Benjamin Johnston. UP of Florida, 2009.
- Barter, Judith A., et al. Mary Cassatt: Modern Woman. Harry N. Abrams Inc., 1998.
- Beaux, Cecilia. Barnard College Address. Archives of American Art, Cecilia Beaux Papers, 1915. Accessed 21 Oct. 2017.
- Berch, Bettinia. The Woman behind the Lens. UP of Virginia, 2000.
- Chadwick, Whitney. Women, Art and Society. 4th ed., Thames and Hudson, 2007.
- Duncan, Carol. “Virility and Domination in Early Twentieth Century Vanguard Painting.” Feminism and Art History: Questioning the Litany, edited by Mary Broud and Mary Garrard, Harper and Row, 1982, pp. 293–314.
- Ever Try Photography? A Good Profession For Women Says Miss Johnston. The Press, 13 Oct. 1895.
- Facos, Michelle Facos. An Introduction to Nineteenth Century Art. Routledge, 2011.
- Glenn, Constance W., and Leland Rice. Frances Benjamin Johnston: Women of Class and Station. Exhibition catalogue. Long Beach: Art Museum and Galleries, California State University, 1979.
- Gushee, Elizabeth M. “Travels through the Old South: Frances Benjamin Johnston and the Vernacular Architecture of Virginia.” Art Documentation: Bulletin Of The Art Libraries Society Of North America, vol. 27, no. 1, 2008, pp. 18–23.
- Kerber, Linda K., et al. Women’s America: Refocusing the Past. Vol. 2, 8th ed., Oxford UP, 2016.
- Legrange, L. “Du Rang Des Femmes Dans Les Arts.” Gazette Des Beaux Arts, vol. 8, 1 Oct. 1860, pp. 30–43.
- Mathews, Nancy Mowll. Cassatt and Her Circle: Selected Letters. Abbeville Press, 1984.
- Matthews, Jean V. The Rise of the New Woman: The Women’s Movement in America, 1875-1930. Ivan R. Dee, 2003.
- McGuirk, Hayley. Mary Cassatt and Cecilia Beaux: An Analytical Comparison of Two New Women and Issues Surrounding Femininity, Modernity, and Nineteenth-Century Feminism. 2017. Ohio University, Master’s thesis.
- Moore, Clarence Bloomfield. “Women Experts in Photography.” The Cosmopolitan, vol. 14, no. 5, Mar. 1893, p. 581.
- Nochlin, Linda. Women Artists: The Linda Nochlin Reader, Edited by Maura Reilly, Thames & Hudson, 2015.
- Ojibwa. The 19th Century Bicycle. Daily Kos, 19 Apr. 2013, https://www.dailykos.com/stories/2013/4/19/1203222/-The-19th-Century-Bicycle. Accessed 24 Oct. 2017.
- Olsen, Victoria. “Sum of Her Parts: Frances Benjamin Johnston’s Self-Portraits Show a Woman Who Could Play Contrasting Roles.” Smithsonian, vol. 41, no. 2, 2010, pp. 10–12.
- Patterson, Martha H. Beyond the Gibson Girl: Reimagining the American New Woman (1895-1915). U of Illinois P, 2005.
- Pollock, Griselda. Vision and Difference: Feminism, Femininity and the Histories Of Art. Routledge, 1988.
- Pollock, Griselda. “Feminist Interventions in the Histories of Art: An Introduction.” Vision and Difference: Feminism, Femininity and the Histories of Art, Routledge, 1988.
- Revolutionary. Dictionary.com, 2019. https://www.dictionary.com/browse/revolutionary. Accessed 28 May 2019.
- Swinth, Kirsten. Painting Professionals: Women Artists and the Development if Modern American Art, 1870-1930. U of North Carolina P, 2001.
- Watters, Sam. Gardens for a Beautiful America 1895-1935: Photographs by Frances Benjamin Johnston. Acanthus Press, 2012.
- Wexler, Laura. “Black and White and Color: American Photographs at the Turn of the Century.” Prospects: an Annual of the American Cultural Studies, vol. 13, 1988, pp. 341–90. doi:10.1017/S0361233300006785.
- Williams, Val. Woman Photographers: The Other Observers 1900 to the Present. Virago, 1986.