Resounding the landscape: the sonic impress of and the story of Eyam, plague village

References

• Adams, M. (2009). Hearing the city: Reflections on soundwalking Qualitative Researcher, 10, 6–9.
   Google Scholar
• Adams, M., & Bruce, N. (2008). Soundwalking as a methodology for understanding soundscapes. Proceedings of the Institute of Acoustics, 30, 552–558.
   Google Scholar
• Adams, M., Moore, G., Cox, T., Croxford, B., Refaee, M., & Sharples, S. (2008). Environmental quality, housing and city residents: A sensory urbanism approach. In P. Maginn, S. Thompson, & M. Tonts (Eds.), Qualitative housing analysis: An international perspective (pp. 185–208). Bingley: Emerald.10.1016/S1042-3192(08)10008-8
   Google Scholar
• Anderson, B. (2004). Time-stilled space-slowed: How boredom matters. Geoforum, 35, 739–754.
   Web of Science ®Google Scholar
• Anderson, B. (2005). Practices of judgement and domestic geographies of affect. Social and Cultural Geography, 6, 645–659.10.1080/14649360500298308
   Web of Science ®Google Scholar
• Bailey, P. (1996). Breaking the sound barrier: A Historian listens to noise. Body and Society, 2, 49–66.10.1177/1357034X96002002003
   Google Scholar
• Butler, T. (2006). A walk of art: The potential of the sound walk as practice in cultural geography. Social and Cultural Geography, 7, 889–908.10.1080/14649360601055821
   Web of Science ®Google Scholar
• Butler, T. (2007). Memoryscape: How audio walks can deepen our sense of place by integrating art, oral history and cultural geography. Geography Compass, 1, 360–372.10.1111/geco.2007.1.issue-3
   Google Scholar
• Butler, T., & Miller, G. (2005). Linked: A landmark in sound, a public walk of art. Cultural Geographies, 12, 77–88.10.1191/1474474005eu317xx
   Web of Science ®Google Scholar
• Chion, M. (1999). The Voice in the Cinema Columbia. New York, NY: University Press.
   Google Scholar
• Clifford, J. (1989). Eyam plague village: 1665–1666. Eyam: John Clifford.
   Google Scholar
• Coates, P. A. (2005). The strange stillness of the past: Toward an environmental history of sound and noise. Environmental History, 10, 636–665.10.1093/envhis/10.4.636
   Web of Science ®Google Scholar
• Dixon, D. (2011). Scream: The sound of the monstrous. Cultural Geographies, 18, 435–455.10.1177/1474474011401991
   Web of Science ®Google Scholar
• Doughty, K., Duffy, M., & Harada, T. (2016). Practices of emotional and affective geographies of sound. Emotion, Space and Society, 20, 39–41.10.1016/j.emospa.2016.06.007
   Web of Science ®Google Scholar
• Drever, J.L. (1999). The exploitation of ‘tangible ghosts’: Conjectures on soundscape recording and its reappropriation in sound art. Organised Sound, 4, 25–29.10.1017/S1355771899001041
   Google Scholar
• Duffy, M., & Waitt, G. (2013). Home sounds: Experiential practices and performativities of hearing and listening. Social and Cultural Geography, 14, 466–481.10.1080/14649365.2013.790994
   Web of Science ®Google Scholar
• Duffy, M., Waitt, G., & Harada, T. (2016). Making sense of sound: Visceral sonic mapping as a research tool. Emotion, Space and Society, 20, 49–57.10.1016/j.emospa.2016.06.006
   Web of Science ®Google Scholar
• Foreman, I. (2010). Vertiginous spaces, phantasmagorical geographies: Soundscape composition after Sebald. Soundscape: The Journal of Acoustic Ecology, 10, 7–10.
   Google Scholar
• Gallagher, M. (2015a). Sounding ruins: Reflections on the production of an ‘audio drift’. Cultural Geographies, 22, 467–485.10.1177/1474474014542745
   PubMed Web of Science ®Google Scholar
• Gallagher, M. (2015b). Field recording and the sounding of spaces. Environment and Planning D: Society and Space, 33, 560–576.10.1177/0263775815594310
   Web of Science ®Google Scholar
• Gallagher, M. (2016). Sound as affect: Difference, power and spatiality. Emotion, Space and Society, 20, 42–48.10.1016/j.emospa.2016.02.004
   Web of Science ®Google Scholar
• Gallagher, M., & Prior, J. (2014). Sonic geographies. Progress in Human Geography, 38, 267–284.10.1177/0309132513481014
   Web of Science ®Google Scholar
• Gershon, W. S. (2013). Vibrational affect. Cultural Studies ↔ Critical Methodologies, 13, 257–262.10.1177/1532708613488067
   Google Scholar
• Hogg, B. (2015). Healing the cut: Music, landscape, nature, culture. Contemporary Music Review, 34, 281–302.10.1080/07494467.2016.1151174
   Web of Science ®Google Scholar
• Holloway, J. (2015). Sealing future geographies: Religious prophecy and the case of Joanna Southcott. Transactions of the Institute of British Geographers, 40, 180–191.10.1111/tran.2015.40.issue-2
   Web of Science ®Google Scholar
• Houlbrook, C. (2015). The penny’s dropped: Renegotiating the contemporary coin deposit. Journal of Material Culture, 20, 173–189.10.1177/1359183515577120
   Web of Science ®Google Scholar
• Idhe, D. (2007). Listening and voice: A phenomenology of sound. Athens, OH: Ohio University Press.
   Google Scholar
• Kanngieser, A. (2015). Geopolitics and the anthropocene: Five propositions for sound. GeoHumanities, 1, 80–85.10.1080/2373566X.2015.1075360
   Google Scholar
• Klett, J. (2014). Sound on sound. Sociological Theory, 32, 147–161.10.1177/0735275114536896
   Web of Science ®Google Scholar
• Labelle, B. (2010). Acoustic territories: Sound, Culture and Everyday Life. London: Continuum.
   Google Scholar
• McCartney, A. (2002). Circumscribed journeys through soundscape composition. Organised Sound, 7, 1–3.
   Google Scholar
• McCartney, A. (2014). Soundwalking: Creating moving environmental sound narratives. In S. Gopinath, & J. Stanyek (Eds.), The oxford handbook of mobile music studies (Vol. 2, pp. 212–237). Oxford: Oxford University Press.
   Google Scholar
• Mohaghegh, J. B., & Golestaneh, S. (2011). Haunted sound: Nothingness, movement and the minimalist imagination. Environment and Planning D: Society and Space, 29, 485–498.
   Web of Science ®Google Scholar
• Paquette, D., & McCartney, A. (2012). Soundwalking and the bodily exploration of places. Canadian Journal of Communication, 37, 135–145.
   Google Scholar
• Pinder, D. (2001). Ghostly footsteps: Voices, memories and walks in the city. Ecumene, 8, 1–19.10.1191/096746001701556887
   Google Scholar
• Revill, G. (2013). El Tren Fantasma: Arcs of sound and the acoustic spaces of landscape. Transactions of the Institute of Geographers, 39, 333–334.
   Web of Science ®Google Scholar
• Revill, G. (2016). How is space made in sound? Spatial mediation, critical phemonology and political agency of sound. Progress in Human Geography, 40, 240–256.
   Web of Science ®Google Scholar
• Simpson, P. (2009). ‘Failing on deaf ears’: A postphenomenology of sonorous presence. Environment and Planning A, 41, 2556–2575.10.1068/a41247
   Web of Science ®Google Scholar
• Smith, M. M. (Ed.). (2004). Hearing history: A reader. Athens: University of Georgia Press.
   Google Scholar
• Wallis, P. (2006). A dreadful heritage: Interpreting epidemic disease at Eyam, 1666–2000. History Workshop Journal, 61, 31–56.
   Web of Science ®Google Scholar
• Westerkamp, H. (2002). Linking soundscape composition and acoustic ecology. Organised Sound, 7, 51–56.
   Google Scholar
• Wood, N., Duffy, M., & Smith, S.J. (2007). The art of doing (geographies of) music. Environment and Planning D: Society and Space, 25, 867–889.10.1068/d416t
   Web of Science ®Google Scholar
• Wylie, J. (2006). Depths and folds: On landscape and the gazing subject. Environment and Planning D: Society and Space, 24, 537–554.
   Web of Science ®Google Scholar
• Wylie, J. (2007). Landscape. London: Routledge.
   Google Scholar
• Wyness, J. (2015). Perspectives on landscape, sound, and music. Contemporary Music Review, 34, 303–311.10.1080/07494467.2016.1140469
   Web of Science ®Google Scholar