220
Views
0
CrossRef citations to date
0
Altmetric
Research Article

Reflections on Mortality: The Imagery of Mirrors in Clint Eastwood’s Gran Torino

WORKS CITED

  • Chivers, Sally. The Silvering Screen: Old Age and Disability in Cinema. U of Toronto P, 2011.
  • Combs, Richard. “Old Ghosts: The Bridges of Madison County.” Film Comment, vol. 32, no. 3, 1996, pp. 25–32.
  • Corliss, Richard. “Clintessence.” Time, 15 Dec. 2008, pp. 61–63.
  • Cornell, Drucilla. Clint Eastwood and Issues of American Masculinity. Fordham UP, 2009.
  • Dargis, Manohla. “Hope for a Racist and Maybe a Country.” New York Times, 12 Dec. 2008.
  • Gates, Philippa. “A Good Vintage or Damaged Goods? Clint Eastwood and Aging in Hollywood Film.” New Essays on Clint Eastwood, edited by Leonard Engel, U of Utah P, 2012, pp. 168–89.
  • Gentry, Ric, and Clint Eastwood. “Clint Eastwood: An Interview.” Film Quarterly, vol. 42, no. 3, 1989, pp. 12–23.
  • Holmlund, Chris. Impossible Bodies: Femininity and Masculinity at the Movies. Routledge, 2002.
  • Hornaday, Ann. “In ‘Torino,’ Dirty Harry Rides Again.” The Washington Post, 6 Dec. 2019.
  • Jamieson, Alastair. “Clint Eastwood to Retire from Acting.” The Telegraph, 23 Nov. 2008.
  • Kinney, Rebecca J. “The Auto-Mobility of Gran Torino’s American Immigrant Dream: Cars, Class and Whiteness in Detroit’s Post-Industrial Cityscape.” Race & Class, vol. 57, no. 1, 2015, pp. 51–66.
  • Kurashige, Scott. “An American Icon Looks in the Mirror.” Michigan Citizen, 11 Jan. 2009.
  • Lacan, Jacques. Ecrits: A Selection. Translated by Alan Sheridan, Norton, 1977.
  • Machuco, Antonio. “Violence and Truth in Clint Eastwood’s Gran Torino.” Anthropoetics: The Journal of Generative Anthropology, vol. 16, no. 2, Spring 2011, pp. 1–9.
  • Metz, Christian. The Imaginary Signifier: Psychoanalysis and the Cinema. Translated by Celia Britton et al., Indiana UP, 1982.
  • Modleski, Tania. “Clint Eastwood and Male Weepies.” American Literary History, vol. 22, no. 1, 2010, pp. 136–58.
  • Mulvey, Laura. “Visual Pleasure and Narrative Cinema.” Screen, vol. 16, no. 3, 1975, pp. 6–18.
  • Murphy, Kathleen. “The Good, the Bad and the Ugly: Clint Eastwood as Romantic Hero.” Film Comment, vol. 32, no. 3, 1996, pp. 16–24.
  • Place, Janey, and Lowell Peterson. “Some Visual Motifs of Film Noir.” Film Comment, vol. 10, no. 1, 1974, pp. 30–35.
  • Proust, Marcel. The Past Recaptured. Translated by Frederick A. Blossom, Modern, 1959.
  • Redding, Art. “A Finish Worthy of the Start: The Poetics of Age and Masculinity in Clint Eastwood’s Gran Torino.” Film Criticism, vol. 38, no. 3, 2014, pp. 2–23.
  • Roche, Mark W., and Vittorio Hösle. “Cultural and Religious Reversals in Clint Eastwood’s Gran Torino.” Religion & the Arts, vol. 15, no. 5, Oct 2011, pp. 648–79.
  • Schein, Louisa, and Va-Megn Thoj. “Gran Torino’s Boys and Men with Guns: Hmong Perspectives.” Hmong Studies Journal, vol. 10, no. 1, 2010, pp. 1–52.
  • Smith, Murray. “Altered States: Character and Emotional Response in the Cinema.” Cinema Journal, vol. 33, no. 4, 1994, pp. 34–56.
  • Torres, Stacy. “Aging, Gran Torino–Style.” Contexts: Understanding People in Their Social Worlds, vol. 9, no. 1, Winter 2010, pp. 66–68.
  • Woodward, Kathleen M. Aging and Its Discontents: Freud and Other Fictions. Indiana UP, 1991.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.