599
Views
4
CrossRef citations to date
0
Altmetric
Research Article

A Comparative Surface Cleaning Study of Op Structure, an Op Art PMMA Sculpture by Michael Dillon

ORCID Icon, , &
Pages 58-77 | Received 02 Jun 2021, Accepted 01 Dec 2021, Published online: 18 May 2022

References

  • Angelova, L. V., B. H. Berrie, K. de Ghetaldi, A. Kerr, and R. G. Weiss. 2015. “Partially Hydrolyzed Poly(Vinyl Acetate)-Borax Based Gel-Like Materials for Conservation of Art: Characterization and Applications.” Studies in Conservation 60: 227–244. doi:10.1179/2047058413Y.0000000112.
  • Angelova, L. V., E. Carretti, B. H. Berrie, and R. G. Weiss. 2017a. “Poly(Vinyl Alcohol)-Borax “Gels”: A Flexible Cleaning Option.” In Gels in the Conservation of Art, edited by L. V. Angelova, B. A. Ormsby, J. H. Townsend, and R. Wolbers, 231–236. London: Archetype Publications Ltd.
  • Angelova, L. V., B. Ormsby, J. Townsend, and R. Wolbers. 2017b. Gels in the Conservation of Art. London: Archetype Publications.
  • Angelova, L. V., P. Terech, I. Natali, L. Dei, E. Carretti, and R. G. Weiss. 2011. “Cosolvent Gel-Like Materials from Partially Hydrolyzed Poly(Vinyl Acetate)s and Borax.” Langmuir 27: 11671–11682. doi:10.1021/la202179e.
  • Baglioni, P., M. Baglioni, N. Bonelli, D. Chelazzi, and R. Giorgi. 2019. “Smart Soft Nanomaterials for Cleaning.” In Nanotechnologies and Nanomaterials for Diagnostic, Conservation and Restoration of Cultural Heritage, edited by G. Lazzara, and R. Fakhrullin, 171–204. Amsterdam: Elsevier.
  • Balcar, N., G. Barabant, C. Bollard, S. Kuperholc, B. Keneghan, A. Laganà, T. van Oosten, K. Segel, and Y. Shashua. 2012. “Studies in Active Conservation of Plastic Artefacts in Museums.” In Preservation of Plastic Artefacts in Museum Collections (POPART), edited by B. Lavédrine, A. Fournier, and G. Martin, 219–294. Paris: Comité des travaux historiques et scientifiques (CTHS).
  • Barker, R., B. Ormsby, and P. Smithen. 2014. “The Construction of a Representative Sample for Mark Rothko’s Untitled (Black on Maroon) (1958).” In ICOM-CC 17th Triennial Conference Preprints, Melbourne, 15–19 September 2014, edited by J. Bridgland, art. 1302, 8 pp. Paris: International Council of Museums.
  • Bartoletti, A., R. Barker, D. Chelazzi, N. Bonelli, P. Baglioni, J. Lee, L. V. Angelova, and B. A. Ormsby. 2020a. “Reviving WHAAM! A Comparative Evaluation of Cleaning Systems for the Conservation Treatment of Roy Lichtenstein’s Iconic Painting.” Heritage Science 8: 9. doi:10.1186/s40494-020-0350-2.
  • Bartoletti, A., T. Maor, D. Chelazzi, N. Bonelli, P. Baglioni, J. Lee, L. V. Angelova, and B. A. Ormsby. 2020b. “Facilitating the Conservation Treatment of Eva Hesse’s Addendum through Practice-Based Research Including Comparative Evaluation of Novel Cleaning Systems.” Heritage Science 8: 35. doi:10.1186/s40494-020-00378-z.
  • Bollard, C., N. Balcar, G. Barabant, and S. Kuperholc. 2015. “Effects of Cleaning gel System on Plasticised Poly(Vinil Chloride): New Insights.” In Future Talks 013, Lectures and Workshops on Technology and Conservation of Modern Materials in Design, edited by T. Betchthold, 77–82. Munich: Die Neue Sammlung - The Design Museum.
  • Bollard, C., S. Kuperholc, N. Balcar, and G. Barabant. 2013. “Effects of Cleaning gel System on Plastics: A Preliminary Study on Poly(Vinil Chloride).” In Future Talks 011, Technology and Conservation of Modern Materials in Design, edited by T. Betchthold, 119–126. Munich: Die Neue Sammlung - The Design Museum.
  • Bonelli, N., C. Montis, A. Mirabile, D. Berti, and P. Baglioni. 2018. “Restoration of Paper Artworks with Microemulsions Confined in Hydrogels for Safe and Efficient Removal of Adhesive Tapes.” Proceedings of the National Academy of Sciences 115: 5932–5937. doi:10.1073/pnas.1801962115.
  • Bonelli, N., G. Poggi, D. Chelazzi, R. Giorgi, and P. Baglioni. 2019. “Poly(Vinyl Alcohol)/Poly(Vinyl Pyrrolidone) Hydrogels for the Cleaning of Art.” Journal of Colloid and Interface Science 536: 339–348. doi:10.1016/j.jcis.2018.10.025.
  • Casella, L., and C. Moore. 2009. “Research on Methods of Cleaning Face-Mounted Photographs.” Topics in Photographic Preservation 13 (27): 200–208.
  • Casoli, A., P. Cremonesi, C. Isca, R. Groppetti, S. Pini, and N. Senin. 2013. “Evaluation of the Effect of Cleaning on the Morphological Properties of Ancient Paper Surface.” Cellulose 20: 2027–2243. doi:10.1007/s10570-013-9975-6.
  • Chiantore, O., and A. Rava, eds. 2012. Conserving Contemporary Art: Issues, Methods, Materials, and Research. Los Angeles, CA: Getty Conservation Institute.
  • Cremonesi, P., and A. Casoli. 2017. “Thermo-reversible Rigid Hydrogels: Their Properties and Action in Cleaning.” In Gels in the Conservation of Art, edited by L. V. Angelova, B. A. Ormsby, J. H. Townsend, and R. Wolbers, 19–27. London: Archetype Publications.
  • di Napoli, B., S. Franco, L. Severini, M. Tumiati, E. Buratti, M. Titubante, V. Nigro, et al. 2020. “Gellan Gum Microgels as Effective Agents for a Rapid Cleaning of Paper.” ACS Applied Polymer Materials 2 (7): 2791–2801. doi:10.1021/acsapm.0c00342.
  • Domingues, J. A. L., N. Bonelli, R. Giorgi, and P. Baglioni. 2014. “Chemical Semi-IPN Hydrogels for the Removal of Adhesives from Canvas Paintings.” Applied Physics A. Material Science & Processing 114: 705–710. doi:10.1007/s00339-013-8150-0.
  • Domingues, J. A. L., N. Bonelli, R. Giorgi, E. Fratini, F. Gorel, and P. Baglioni. 2013. “Innovative Hydrogels Based on Semi-Interpenetrating p(HEMA)/PVP Networks for the Cleaning of Water-Sensitive Cultural Heritage Artefacts.” Langmuir 29: 2746–2755. doi:10.1021/la3048664.
  • Hummelen, I., and D. Sillé, eds. 2005. Modern Art: Who Cares?. An Interdisciplinary Research Project and International Symposium on the Conservation of Modern and Contemporary Art. London: Archetype Publications.
  • Iannuccelli, S., and S. Sotgiu. 2010. “Wet Treatments of Works of Art on Paper with Rigid Gellan Gels.” In The Book and Paper Group Annual 29: 25–39. Washington DC: AIC.
  • Kavda, S., N. Dhopatkar, L. V. Angelova, E. Richardson, S. Golfomitsou, and A. Dhinojwala. 2016. “Surface Behaviour of PMMA: Is Gel Cleaning the Way to Go?” Studies in Conservation 61: 297–299. doi:10.1080/00393630.2016.1200858.
  • Kavda, S., S. Golfomitsou, and E. Richardson. 2017. “The Effect of Gelling Agents and Solvents on Poly(Methyl Methacrylate) Surfaces: A Comparative Study.” In Gels in the Conservation of Art, edited by L. V. Angelova, B. A. Ormsby, J. H. Townsend, and R. Wolbers, 331–336. London: Archetype Publications.
  • Lavédrine, B., A. Fournier, and G. Martin, eds. 2012. Preservation of Plastic Artefacts in Museum Collections (POPART). Paris: Comité des travaux historiques et scientifiques (CTHS).
  • Mastrangelo, R., D. Chelazzi, G. Poggi, E. Fratini, L. Pensabene Buemi, M. L. Petruzzellis, and P. Baglioni. 2020. “Twin-Chain Polymer Hydrogels Based on Poly(Vinyl Alcohol) as New Advanced Tool for the Cleaning of Modern and Contemporary art.” Proceedings of the National Academy of Sciences 117 (13): 7011–7020. doi:10.1073/pnas.1911811117.
  • Mastrangelo, R., C. Montis, N. Bonelli, P. Tempesti, and P. Baglioni. 2017. “Surface Cleaning of Artworks: Structure and Dynamics of Nanostructured Fluids Confined in Polymeric Hydrogel Networks.” Physical Chemistry Chemical Physics 19: 23762–23772. doi:10.1039/C7CP02662E.
  • Mirabile, A., D. Chelazzi, P. Ferrari, C. Montis, D. Berti, N. Bonelli, R. Giorgi, and P. Baglioni. 2020. “Innovative Methods for the Removal, and Occasionally Care, of Pressure Sensitive Adhesive Tapes from Contemporary Drawings.” Heritage Science 8: 42. doi:10.1186/s40494-020-00387-y.
  • Natali, I., E. Carretti, L. V. Angelova, P. Baglioni, R. G. Weiss, and L. Dei. 2011. “Structural and Mechanical Properties of “Peelable” Organoaqueous Dispersions with Partially Hydrolyzed Poly(Vinyl Acetate)-Borate Networks: Applications to Cleaning Painted Surfaces.” Langmuir 27: 13226–13235. doi:10.1021/la2015786.
  • Ormsby, B. A., M. H. Keefe, A. Phenix, E. von Aderkas, T. Learner, C. Tucker, and C. Kozak. 2016. “Mineral Spirits-Based Microemulsions: A Novel Cleaning System for Painted Surfaces.” Journal of the American Institute for Conservation 55: 12–31. doi:10.1080/01971360.2015.1120406.
  • Ormsby, B. A., A. Soldano, M. H. Keefe, A. Phenix, and T. Learner. 2013. “An Empirical Evaluation of a Range of Cleaning Agents for Removing Dirt from Artists’ Acrylic Emulsion Paints.” AIC Specialty Group Postprints 23: 77–87.
  • Quye, A., and C. Williamson. 1999. Plastics: Collecting and Conserving. Edinburgh: National Museums of Scotland NMS Publishing Ltd.
  • Sansonetti, A., M. Bertasa, C. Canevali, A. Rabbolini, M. Anzani, and D. Scalarone. 2020. “A Review in Using Agar Gels for Cleaning Art Surfaces.” Journal of Cultural Heritage 44: 285–296. doi:10.1016/j.culher.2020.01.008.
  • Sato, Moe. 2014. “An experimental evaluation of non-ionic surfactant Dehypon LS-54.” MPhil Thesis, University of Glasgow.
  • Shashoua, Y. 2008. Conservation of Plastics: Materials Science, Degradation and Preservation. Oxford: Butterworth-Heinemann.
  • Shashoua, Y., M. Alterini, G. Pastorelli, and L. Cone. 2021. “From Microfibre Cloths to Poly(Vinyl Alcohol) Hydrogels – Conservation Cleaning of Plastics Heritage.” Journal of Cultural Heritage 52: 38–43. doi:10.1016/j.culher.2021.08.009.
  • Stavroudis, C. 2017. “Gels: Evolution in Practice.” In Gels in the Conservation of Art, edited by L. V. Angelova, B. A. Ormsby, J. H. Townsend, and R. Wolbers, 231–236. London: Archetype Publications.
  • Stoveland, L. P., M. Stols-Witlox, B. Ormsby, and N. L. W. Streeton. 2021. “Mock-Ups and Materiality in Conservation Research.” In ICOM-CC 19th Triennial Conference Preprints, Beijing. 17–21 May, edited by J. Bridgland. Paris: International Council of Museums.
  • Waentig, F., ed 2008. Plastics in Art: A Study from the Conservation Point of View. Petersburg: Michael Imhof Verlag.
  • Wei, W. 2011. “Surface Micro-Roughness, Cleaning, and Perception.” In ICOM-CC 16th Triennial Conference Preprints, Lisbon. 19–23 September. Paris: International Council of Museums.
  • Wertz, P. W. 2009. “Human Synthetic Sebum Formulation and Stability under Conditions of Use and Storage.” International Journal of Cosmetic Science 31: 21–25. doi:10.1111/j.1468-2494.2008.00468.x.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.